The 2009 One Hundred

Welcome to The Indie Maximum Exposure 100

2009-10-28T21:43:36Z

Below you will find 100 valuable pieces of advice (in blog form) that every artist should consider.

Visit our friends at HypeBot to obtain a PDF of the Indie Maximum Exposure 100. The Indie Maximum Exposure 100 was created by a team of industry experts and by artists that are making a full-time living from their music.

If you have a suggestion, and/or you would like to be considered as a contributor when we update this list, please leave a comment under this post. Otherwise, you are welcome to leave a comment under each of the 100 posts below.

Thanks to Ariel Hyatt and her staff for working tirelessly to put this list together.

1: Pick A Niche And Dominate It

2009-10-26T11:15:10Z

There are no ultimate 100 Indie Maximum Exposure vehicles for one simple reason. Indie artists must break from a niche. That niche must be well delineated and can be very very small and still be effective. The mistake most artists make is making a pop record that does not have a niche to break out of.

The adage, think globally act locally can be re-stated think mainstream, act niche. The newer your niche, the greater your chance of becoming identified with it. Almost every Tommy Boy superstar broke out of a niche they dominated if they did not invent. Examples: De La Soul: hip hop hippies, House of Pain – Irish hip hop, Queen Latifah: first proud and powerful African American woman in hip hop, Ru Paul, first drag queen with dance hit, and so on.

So whatever you genre, sub-genre or micro niche there will usually be media that dominates that view of reality. If you are a militant political artist, you would launch in the niche militant political blogs and magazines to establish a beach head. If you a rapper that rapped about uzis and AK’s maybe your entry would be blogs and mags about guns and ammo. David Hazan mentioned a band that was way into Anime and they get written up in the Anime blogs and make a living playing the Anime shows. Will they be able to cross to mainstream? Maybe not but they can be the lords of their niche and make a good living doing that.

So rather than being specific, I would point to blogs and mags in your micro-niche that might not even be music-oriented. You may be more news to a non-music site and reach a core audience that way than trying to get Pitchfork to discover you. There are also opportunities to perform at industry shows in non music industry events and get paid much better than you would in the glutted music market.

In other words make your presentation and target audience as unique as possible so you can be the king of that niche, then target the non-music publications (both on line and off) and the events in that niche. You will be building fans, gaining awareness and making money before you even attempt to cross into the “music industry.”

- Tom Silverman

2: Understand You Are in Two Related Industries

2009-10-26T11:14:30Z

You are a songwriter/recording artist and need to record and release compelling music regularly (without fail). 2) You are an entertainer / performer. Your show MUST COMPEL those in the audience (no matter how few) to come to the next show with all their friends. On stage you are an actor. Your character may be yourself. But the character usually needs to be an amplified version of your normal self. Alternately, create characters.

- Rob Gordon

3: Lead A Scene

2009-10-26T11:14:07Z

Position yourself as a leader. Put something together that doesn’t exist and get others involved.

- Derek Sivers

4: Look at What Differentiates You - Shove Yourself Into A Niche

2009-10-26T11:13:41Z

Music fans aren’t found on sites for music fans. I’m inspired by certain things– technology, animals, politics, sci-fi/ fantasy – and so is every other artist. Whatever I’m writing about, there’s a community based around that topic. Instead of going after generic “music fan” crowds, I chose to focus on specific niches that share MY interests. Since I’m into podcasting and new media stuff, my music has been resonating particularly well with the geek crowd. That is where I focus my efforts. I’m also a big sci-fi/ fantasy nerd as well, so I hit conventions and gatherings of that nature. Not only is my music relevant to them, I can relate to them on a personal level.

- Matthew Ebel

Create a story that you can pitch to media outlets that don’t specialize in music. (You will have to figure this one out yourself).

- Tom Silverman

5: Be A Contrarian

2009-10-26T11:13:17Z

Whatever other artists are doing in recording, performance and marketing…do the opposite.

- Tom Silverman

6: Build Your Network By Helping Others

2009-10-26T11:12:34Z

Amber Rubarth is a 26-year-old singer/songwriter from Reno, who only started playing music five years ago, is now making a full-time living touring. She interned with a booking agent, to understand what’s she would need to do to get herself on the road. She was helpful to the agency and they in turn booked her as an opener for some high profile acts which helped launch her career.

- Derek Sivers

7: Have Professionalism!

2009-10-26T11:12:12Z

No matter what level of “success” an artist is at, if he or she has invested time into refining and defining who they are and how they want to present their art to the world, that gets my attention. I discover just as many independent artists today as I do artists who have had extra help getting to where they are. What keeps my attention is, first and foremost, music that grabs my ear, but then the quality of the whole effort, which for me includes an artist website, not just a MySpace page, and the extent to which they have their ducks in a row, which now must start with an electronic press kit with high-res photos! I can’t tell you how many times I was able to run something in my magazine on an artist at the last minute, but a search online for a quality photo was not to be found and so they lost the opportunity.

- Erik Philbrook

http://www.thebrilliantmistakes.com

8: Create Human Connection & Get In Community

2009-10-26T11:11:46Z

Nothing beats face-to-face networking. And nothing beats a friendly email or a phone call from someone who knows I am a busy person but who nevertheless wants something from me, and can ask for it in a clear, casual and, yes, compassionate way.

- Erik Philbrook

An artist alone is in trouble – an artist in a community of artists has a chance. If you approach people you meet be they musicians or music business people with an at- titude of “how can I help us” rather than “what can you do for me?” you will get much farther much faster.

- Rick Goetz

9: Set Goals & Have a Plan

2009-10-26T11:06:50Z

Create a plan for three months, for six months, for twelve months, and for your entire career (your biggest dreams). Set goals for each phase of your plan. Add dates and measurable action steps that you will be taking to get results during each phase.

http://tinyurl.com/arielgoals

- Ariel Hyatt