No I can’t make you famous. No one can. That’s not how this works. So why do people like me need to explain this to musicians all the time? Fame is a very intangible thing – and in this day and age it’s largely purchased. By hiring a producer, manager or promoter you’re probably not going to get famous right away. In fact, even having rad music and an entire team behind you does not guarantee that you will make it. It’s only one step forward. Here’s the thing – we live in a world where fame is bought – and any one who tells you otherwise, or that it was ‘better back in their day’ is woefully misguided.
How would things change if you could book great gigs in great cities everywhere?
If you could snatch up better venues in less time?
And if you could curse a lot less while doing it?
It’s possible. I’ll show you 6 ways that any independent artist can use.
But first let me tell you a little about 23 year old Brandon (me) and how he (I) learned an important lesson in efficiency and humility.
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Musicians need empowerment to: 1. stay motivated even after demotivating comments 2. dare to broaden their horizons 3. get more out of it by knowing their abilities 4. prevent to get screwed over by the music business
So you have a new track and you’re ready to release it. Great work! What’s your game plan?
There are many marketing avenues for you to map out before you’re ready to release, and each one is just as important as the next. In fact, it’s the decisions you make right now that will either launch your career to new heights, or simply simmer away into obscurity.
Out of the many avenues you are strategizing when it comes to launching your song, one you must consider spending some time on is the phenomenon of Playlisting - which simply refers to a list of songs compiled to represent a certain mood, genre, or event. Playlists are how music fans are discovering most of their new music these days, thanks to the current boom of streaming services like Spotify, Rdio, Deezer, Songza, and Pandora. In fact, Spotify users find, on average, 26 new artists a month through the platform. That’s pretty cool.
(London, ENGLAND) – November 3, 2015 – Steve Nieve stormed into England for three nights of his latest endeavor, STEVE NIEVE PLAYS ELVIS COSTELLO, and sold out shows at The Liverpool Philharmonic, Bristol’s Colson Hall and the St James Theatre in London. In 2014, Nieve had toured this show briefly in the United States and is planning a return during the spring of 2016, represented in the United States by Newburyport, Massachusetts-based artist management company, Dog and Pony Industries.
The days of Woodstock, Lilith Fair, and Lollapalooza may be behind us, but that doesn’t mean that the current generation of concertgoer has to miss out on the festival experience. From the highs of enjoying the best in modern music, with tens of thousands of like-minded souls, to the lows of enduring those same people ahead of you in line for the Porta-Potty, anyone with a ticket can enjoy some amazing festival experiences.
Growing your following on social media is an important part of your social media strategy, whether you are a seasoned veteran or just starting out. If you’re finding that your number of followers is just not going up, take a look at this checklist and decide if there are any holes in your strategy.
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- Wallace Collins | What Is A Trademark And What Are Trademark Rights?
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It was a Saturday afternoon in Minneapolis. Charlie Waymire and I were in a studio at college, tuning up his monster double-bass drumset for his band’s recording session later that day. Or maybe should I say trying to tune his drumset. Taking turns wielding the drumkey while the other played, nothing either of us did seemed to get both bass drums to sound the same. All we got were these loud, sonically unmatched thuds.
A trademark is a name, slogan or logo which identifies someone’s goods or services and indicates source or quality. The purpose of a trademark is to identify and distinguish one person’s products or services from those of another. A trademark functions as a symbol of quality and goodwill. Trademark rights accrue to the owner of a mark based on the “use” of a mark and these rights vest in the first user of a mark when the mark is used in connection with the trademark owner’s goods or services. In other words, you own rights in your trademark from the moment you start using it to identify your products or services These rights are applicable in the music business to the names used by rock groups, DJs, and rappers as well as by management, production and record companies.
SoundExchange is an independent nonprofit organization that is dedicated to collect and distribute royalties resulting from digital performance rights of sound recordings. When it was created in 2000, this organization was a division of the RIAA but in 2003 it became an independent organization, currently representing the interests of more than 110,000 artists and copyright owners. As reported by SoundExchange, they have already successfully paid nearly $3 billion since they first started doing business.
I’m talking with Rolfe Briney IV, lead guitarist for Birmingham, AL, garage rockers Freaky Deakys. He and Trevor Dane, the group’s lead singer and other guitarist, recently returned home from a brief yet busy tour that found them playing 12 shows over 10 days. After talking about the crazy things that happen on tour, there was one thing that totally shocked me: they made a sizable profit.
Musicians make similar mistakes all the time. When they repeat these kinds of things, it not only hurts them in the long run, but they’re often bewildered as to why things don’t go as well for them as they should.
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(Updated July 8, 2015)