“One of the big problems with hearing music online is that it’s just a song. Don’t get me wrong, music is great, but stories are what draw people in. If a song is not connected to any experience, the song, as well as the artist, is quickly forgotten among the mass of music that exists online.” (Read on.)
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She is from Sugar Land, TX. She is twenty-two and is very interested in music marketing and branding, new trends in the music and record industries, and distribution. She wants to learn more about the changes affecting the music industry and how artists are changing the way they interact with fans. Her career goals include working in a marketing position at a music company or label and working as a session musician for major artists. Currently, she is seeking a job/internship at music labels and companies in the Texas area or to continue her education, possibly pursuing a master’s degree in music or marketing.
Here at Music Think Tank, she’ll be focusing on tagging posts, writing post summaries, approving comments, and getting involved in a myriad of other ways with Hypebot too.
Take a moment to welcome her to the community.
This post contains suggestions on how to effectively divide ownership in a group project - prior to taking on the burden of launching and operating a legal corporation.
The tasks within this post may seem like a lot of work. However the process described below is essential to building a motivated organization…regardless of the legal structure (and legal minds) you employ.
If you are working with equals that you know and trust, the group should be able to read this document, negotiate the items on the ownership earn-in spreadsheet, and then construct a signed letter of intent in under three hours; it doesn’t get much easier than that.
Fictional scenario: a group of professionals are about to create and promote a new media website that will attract and entertain a slice of humanity; as visitors come to this website, the business goals will be to convert visitors into fans (subscribers and repeat visitors), and then to eventually sell something that has perceived value to a percentage of the fan base.
Everyone involved desires to protect their investment (time, money, art, etc.) and to preserve their ownership rights until the day arrives when the group decides to turn the project into a real company. The following is a list of people involved in the (fictional) project and a brief description of the assets that each person proposes to contribute to the project:
For most of the past few weeks, I’ve been offline more than online. And those moments I’ve been online, I’ve been working exclusively on client projects instead of mixing in networking and promotion.
I’m not intentionally becoming a social media hermit, though. It seems that Lori and I move about once every two years, on average. And every time we move, it takes us time to get caught back up with our online relationships while we focus on the very physical activity of creating the latest version of our ideal home. (Lori will accurately tell you that she does about 90% of the packing and unpacking, while my very focused contribution to the move included dealing with all the trash at the old house and guarding the moving van while our crew was unloading at the new condo.)
Does that mean I haven’t been building my network during that time? Absolutely not. I’m still meeting new people, but I’m doing it in person: in elevators, in the coffee shop, on the train. Chances are, a few of the folks I met during my “offline mode” will end up being far more valuable members of my network than if I had picked up 100 extra followers.
Have you noticed that you’re streaming more audio and video? That your purchase of CDs and DVDs has dramatically decreased? That your DVD cabinet and CD racks have a layer of dust on them (literally, or otherwise)? That your digital CD/DVD cabinet (i.e. iTunes) is being opened less frequently? (Apple knows this, by the way, it’s why the new AppleTV has no hard-drive; it’s all streaming…really think they’re not going to do the same for music?)
We’ve started up the Kurzweil Curve with respect to streaming, and it’s only going to accelerate from here.
The interesting thing is that, because the transition has been relatively gradual, you probably haven’t noticed that this radical behavioral and technological change has occurred. You haven’t noticed because it hasn’t hurt; in fact it’s felt good.
There are opportunities here. For content creators, the sooner you reconcile the fact most people aren’t likely going to want to own a digital copy of your music/movie/tv show/book (let alone a CD, etc.), the sooner you can devise profitable streaming models.
As a musician–a creator of sounds–it can be difficult to understand the concept that music is mostly about listening, not creating.
It’s about listening for just the right amount of silence between notes. Listening for the sounds that give you cues how to act next, and how to hone your performance.
The skill of listening is what separates the great musicians from the mediocre ones.
Becoming known as a listener will help you score gigs as a session musician and will greatly enhance your own musical mastery.
Here are four scenarios where listening can greatly affect your performance.
Listening To Other Musicians
The greatest factor to playing well with other musicians is each musician’s inherent ability to listen to each other.
Listening is an amazing tool. It will let you know when a drummer wants to end a song, or when a guitar player is stepping down to finish a solo. Listening gives you the foresight to step in and play when another musician needs help.
Listening To Your Audience
It’s that time again. School is now in session, which means a whole new breed of young musicians are heading off to college for the first time. Whether or not your focus of study is music, the college experience can be an excellent opportunity for you to hone your chops and establish the sort of demand that will launch your career.
But as you will soon realize, four years will go by in the blink of an eye. It is critically important that you have something to guide you through all of the important baby-steps that will take you from a dorm room band to the most important act in the surrounding area. Use the following checklist to ensure that no opportunity is overlooked as you begin to establish yourself in your new local scene:
[ ] Create Your Ideal Fan
As a musician looking to establish a fan base, you have to know exactly who and where your fans are. A marketing technique taught in college, one that can be very useful, is to create a highly-detailed description of who your ideal fan is, summed up into one person. Give that person a name, and describe every aspect of that person on paper: what is their background, what clothes do they wear, where do they shop, what are their hobbies, what other music do they listen to, what sort of food do they eat, what beer do they drink, maybe they don,t drink beer but rather drink wine, etc. Once you know EXACTLY who your fan is it will be much easier to pin-point exactly where they will be.
This post comes from Fred Wilson’s blog. The quick video below is worth watching. Not only is the content within the video interesting, the video itself is a great example of leveraging the creative use of video to promote something else (a book in this case).
I love the final quote in this video: “Chance favors the connected mind.”
This week, I traveled to Boston to speak at the #140 Conference. It was short and it was sweet and it featured 3 people I am thrilled I got a chance to speak with including the irrespressible and inspirational Amanda Palmer.
The first thing you should know about the Product Manager for MySpace Music is that he’s an independent musician. He’s in a band called Big Kid. That’s him playing the drums. He also writes most of the songs. I found that both encouraging and surprising.
Myspace Product Manager Steve Clark approached me through my blog to have a chat about what was going on at Myspace, the big changes that they were making, and what they were doing to belatedly address the fact that they have access to (as I put it) every frickin’ band on the planet.
Now, I’ve been critical of Myspace in the past (to say the least). My complaints have been many and varied, but my concerns have been especially with respect to the fact that all of their efforts in the music space have been directed exclusively at major labels - and the fact that as an interface, both for artists and for fans, it’s a pile of crap.
A friend of mine once joked that you can’t polish a turd, but you can roll it in glitter. Basically, Myspace has been rolled in glitter.
One of the biggest challenges a music marketer faces is selecting a channel (or multiple channels) to focus their efforts on. More than anything, this means researching and understanding the ways existing and potential fans discover and consume music.
In the case of a young, hip band like A B & The Sea, it was clearly the social channels — with a product that is almost universally appealing and a fanbase that spends hours upon hours daily on social networks, it was a no-brainer. All Smiles, however, is a different case entirely.
Jim Fairchild spent most of his musical career influencing a generation as the guitarist in Grandaddy. More recently, he’s touched another generation as the touring guitarist for Modest Mouse. His work isn’t relegated to these well known bands, however — he’s also put out two LPs and a few EPs as All Smiles (with some help from fellow indie-famous friends).
The first All Smiles LP was put out by Dangerbird Records, replete with marketing budget, press tour, and all the other standard trimmings of a major indie album release. The second LP, however, came out independently with little more than an old-school (read: largely ineffective, for a variety of reasons) PR campaign behind it. As a result, it made about $1,900 (against production costs of $19,000) and Jim, somewhat disappointed, wrote it off in favor of other professional engagements.
It happens to me all of the time when I teach artists social media.The face goes blank, the frustration begins to settle in and then the artist says it:
“I just don’t have anything interesting to say.”
I’m shocked by this every time. You are an artist; you do things we mere mortals are totally enamored by: you PLAY MUSIC, you write songs, you perform them in public!
So PHLEEASE, do not tell me you have nothing interesting to say. I ain’t buying it.
All you are missing is a System for Social Media Success.
Luckily, unlike sheer god-given musical talent, social media is a learnable skill.
As I was teaching my system to a client in my kitchen a few weeks ago over coffee and bagels and it HIT me… and so I created:
THE MUSICIAN’S SOCIAL MEDIA FOOD PYRAMID!
The launch of Ping, Apple’s new Facebook-meets-iTunes service, has once again underlined the somewhat novel idea that people want to chat and interact to a greater degree about the music they like. If it succeeds, it will be because people don’t just want access to music: they want to belong to a music community.
In making predictions, it’s wise to look to the past. The tendency towards community isn’t surprising to anybody who has watched file-sharing evolve over the past decade.
A (very) brief history of file-sharing
The first wave of file-sharing, Napster, was a lonely affair: users searched and downloaded music through the central hub with as much social interaction as a simple Google search - i.e. none. You downloaded from a computer - whether there was a person in front of it was irrelevant.
One of the online sales techniques I’ve been advocating in my online courses at Berklee is for artists to create different physical and digital products and make them available on their own site at tiered price points. The idea is that you can offer something for all of your fans – the hard core fans might be interested in something from you that is a little more personalized and rare, and newer fans might be able to get something from you that wont break the bank. All the while you have the ability to offer something that cannot be purchased at traditional retail, which makes the experience of purchasing off of your site more rewarding for your fans. Here’s an example from the Yim Yames site:
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(Updated Feb 25, 2014)