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<!--Generated by Squarespace Site Server v5.11.81 (http://www.squarespace.com/) on Sun, 19 Feb 2012 14:03:07 GMT--><?xml-stylesheet type="text/css" href="/universal/styles/feed.css"?><rss version="2.0"><channel><title>Music Think Tank (primary) RSS - Comments</title><link>http://www.musicthinktank.com/blog/</link><description></description><copyright></copyright><language>en-US</language><generator>Squarespace Site Server v5.11.81 (http://www.squarespace.com/)</generator><item><title>Chris comments on Three Steps on How to Become a Record Producer</title><author>Chris</author><pubDate>Fri, 17 Feb 2012 15:39:17 +0000</pubDate><link>http://www.musicthinktank.com/blog/three-steps-on-how-to-become-a-record-producer.html#comments</link><guid isPermaLink="false">207938:2035857:comment/16936214</guid><description><![CDATA[<p>I don&#39;t necessarily think that you have to born with the natural talent to become great at producing music; much like anything else music production can be studied, practiced, and perfected.  </p><p>Learning how to play the piano, learning how to mix, learning how to compose are some of the main aspects of music production that should be focused upon. Master these three aspects, and anyone can be well on their way to a successful music production career.</p>]]></description></item><item><title>Stephanie Kellar comments on The Four P’s of Playing Live Shows: Preparation</title><author>Stephanie Kellar</author><pubDate>Fri, 17 Feb 2012 13:43:47 +0000</pubDate><link>http://www.musicthinktank.com/blog/the-four-ps-of-playing-live-shows-preparation.html#comments</link><guid isPermaLink="false">207938:2035857:comment/16935673</guid><description><![CDATA[<p>Great read. Please consider a follow-up article using the 4Cs—customer, cost (to own), convenience (to buy) and communication—a more contemporary, customer-centric take on the traditional 4Ps. I&#39;ll co-author if interested :-D</p>]]></description></item><item><title>Greg Brent comments on The Four P’s of Playing Live Shows: Preparation</title><author>Greg Brent</author><pubDate>Fri, 17 Feb 2012 12:48:32 +0000</pubDate><link>http://www.musicthinktank.com/blog/the-four-ps-of-playing-live-shows-preparation.html#comments</link><guid isPermaLink="false">207938:2035857:comment/16935484</guid><description><![CDATA[<p>Dave,</p><p>All great areas to discuss and review for a show!</p><p>One item I would add that&#39;s important is a post-show/production review.  A quick discussion with the team, i.e. band, sound person, and any other key team members to discuss how the show went.  Here are a few additional items to consider, some of which you mention above in the pre-show list:</p><p>Flow of the show - did the set list work or need to be adjusted</p><p>Transitions between songs - was it smooth or was there down time where no one spoke, connected, etc.</p><p>Overall Performance - did all the songs go well, which ones need work, what parts need work</p><p>Sound - any issues here</p><p>Lights - if you had some what worked, what didn&#39;t</p><p>Connecting with Fans - this could be pre and post show as well, but did the band  talk with or connect with the fans during the show, how did it go</p><p>Show Promo efforts - did you mention your website, social media sites, upcoming shows, merch.</p><p>Thank You&#39;s - did you thank the venue, opening band, etc.</p><p>Thanks,<br/>Greg</p><p><a href="http://musicpoweredstrategies.com/" rel="nofollow">Music Powered Strategies</a></p>]]></description></item><item><title>Mallisa Walls comments on How to REALLY Get Your Music on Blogs: Finding the Best Blogs for Your Music</title><author>Mallisa Walls</author><pubDate>Fri, 17 Feb 2012 12:09:12 +0000</pubDate><link>http://www.musicthinktank.com/blog/how-to-really-get-your-music-on-blogs-finding-the-best-blogs.html#comments</link><guid isPermaLink="false">207938:2035857:comment/16935304</guid><description><![CDATA[<p>Nice blog!! It will save you so much time and grievance.Thanks for sharing keep on sharing.</p>]]></description></item><item><title>Arnold Hugo Stolting comments on Three Steps on How to Become a Record Producer</title><author>Arnold Hugo Stolting</author><pubDate>Fri, 17 Feb 2012 02:34:53 +0000</pubDate><link>http://www.musicthinktank.com/blog/three-steps-on-how-to-become-a-record-producer.html#comments</link><guid isPermaLink="false">207938:2035857:comment/16933410</guid><description><![CDATA[<p>You had me at  &quot;Cassette Recording&quot;.  (step 2)</p>]]></description></item><item><title>yet another producer comments on Three Steps on How to Become a Record Producer</title><author>yet another producer</author><pubDate>Thu, 16 Feb 2012 20:10:28 +0000</pubDate><link>http://www.musicthinktank.com/blog/three-steps-on-how-to-become-a-record-producer.html#comments</link><guid isPermaLink="false">207938:2035857:comment/16931688</guid><description><![CDATA[<p>I think this author is assuming the person is talented enough to do the job.  &quot;Do you have the talent?&quot; would be a whole other article in itself.</p>]]></description></item><item><title>Daworshipa comments on How To Sell And Market Your Music Using The Latest Research</title><author>Daworshipa</author><pubDate>Thu, 16 Feb 2012 16:19:18 +0000</pubDate><link>http://www.musicthinktank.com/blog/how-to-sell-and-market-your-music-using-the-latest-research.html#comments</link><guid isPermaLink="false">207938:2035857:comment/16930520</guid><description><![CDATA[<p>Thanks for the post it was most helpful. As an up and coming artist especially in the gospel scene doing this on your own can be overwhelming and deflating at times.  But this input from you has given me more confidence concerning me being able to market my music in the ever changing music industry.  Thanks again and God bless!!!!!!!!!!</p>]]></description></item><item><title>Brian Hazard comments on What Artists Should Know About Headliner.fm</title><author>Brian Hazard</author><pubDate>Wed, 15 Feb 2012 23:26:57 +0000</pubDate><link>http://www.musicthinktank.com/blog/what-artists-should-know-about-headlinerfm.html#comments</link><guid isPermaLink="false">207938:2035857:comment/16927067</guid><description><![CDATA[<p>Double post. Grr.</p>]]></description></item><item><title>Brian Hazard comments on What Artists Should Know About Headliner.fm</title><author>Brian Hazard</author><pubDate>Wed, 15 Feb 2012 23:21:00 +0000</pubDate><link>http://www.musicthinktank.com/blog/what-artists-should-know-about-headlinerfm.html#comments</link><guid isPermaLink="false">207938:2035857:comment/16927044</guid><description><![CDATA[<p>Thanks for your detailed response Jorge! I&#39;m grateful that you took the time, and the fact that you&#39;re so open to suggestions makes me optimistic about the future of the service.</p><p>&quot;And anytime your promotions are deleted, you get your Band Bucks back.&quot; My understanding is that applies only to status updates that haven&#39;t already been scheduled. If you realize there&#39;s a mistake in your promotion, as I did with the missing URL, you&#39;re still on the hook for all scheduled updates, even if they are weeks in the future.</p><p>The 100,000 free band bucks seems more than fair to me, but since it said 6-month &quot;pro account&quot; I figured all the pro account features, like the 300K monthly allowance, were included. Thanks for clarifying.</p><p>Headliner vs. Facebook Ads. While it&#39;s hard to argue with free, I&#39;m at the point now where I need to either buy band bucks or stop using the service. Sure, I could spend some time searching for artists to recommend, but that would only earn me 11K band bucks a pop for all three social networks. If my math is correct, that should generate about 6 clicks, which isn&#39;t worth the potential unfriends/unfollows.</p><p>While the CPC for a $30 spend may be better on Headliner, each Facebook click is also a like, which is much more valuable. I&#39;d also be willing to bet that Facebook users are more engaged, considering the lack of likes, retweets, and comments on updates posted through Headliner.fm.</p><p>Hopefully that will change as you modify the engagement scores algorithm. One easy tweak would be to blacklist or penalize Twitter accounts following more than 1000 people, because obviously no individual can keep up with that many updates. The only reason for following more than a hundred people is to get them to follow back, to artificially boost your numbers.</p><p>Whatever you choose, I&#39;m sure it will boost the ratios and engagement, and I look forward to what you come up with!</p>]]></description></item><item><title>one more producer comments on Three Steps on How to Become a Record Producer</title><author>one more producer</author><pubDate>Wed, 15 Feb 2012 20:56:06 +0000</pubDate><link>http://www.musicthinktank.com/blog/three-steps-on-how-to-become-a-record-producer.html#comments</link><guid isPermaLink="false">207938:2035857:comment/16926334</guid><description><![CDATA[<p>I think I got the author&#39;s idea. Sometimes being a producer is about gathering the right people to each step. In this case an executive producer. It may sound simplist to professionals but it is very clarifying to beginners.</p>]]></description></item></channel></rss>
