Over the last several months, I’ve been helping Ariel to prepare for the launch of her crowd funding campaign (which went live on Monday!). While we were doing our research, we came across article after article saying the same few things about crowd funding preparation that we already knew about:
How You Can Contribute To MusicThinkTank
Anyone can join the discussion and contribute relevant articles to Music Think Tank. Begin by signing up and then logging in to publish your posts directly to MTT Open. Please make sure that your posts are in the proper format before posting (see previous posts) and that there are minimal errors such as grammar or spelling. Popular articles are occasionally moved to the front of the site. Contributors own and operate this blog (more info).
Entries in Ariel Hyatt (14)
Keeping in line with our recent mobile theme, I wanted to present another mobile option to you this week. Last week we talked about Mobile Roadie’s free mobile ready website option. Mobile Roadie is also quite adept at making mobile apps. And while they are a leader in app creation platforms for musician’s to consider, their price points can be prohibitive for many independent artists. But have no fear, ReverbNation has been creating free/inexpensive solutions for independent musician’s since their inception. Here again they have come up with an affordable solution for mobile app creation. And ReverbNation can get you up and running with a customized app in 6 quick steps.
Fan funding: it is the saving grace for the broke independent band. Where before bands couldn’t consider studio time or hiring promotional companies to support their release, with a little hard work, some social media love, and good old fashioned word of mouth spread, bands can raise the cash they need to fund their dream projects. With the big four players fairly entrenched in the field (PledgeMusic, Rockethub, KickStarter and Indie GoGo), it’s hard to imagine a new player coming into play. However, GigFunder has found a unique need to fill in the fan funding world.
It’s a big day today, folks, and the office is all a buzz about the exciting new Facebook developments. What Facebook developments, you ask? What!? You haven’t heard??? Timeline has arrived in full force and is now available for brands! Timeline has been received with resistance by some users (but what Facebook update isn’t?), so this may not be music to everyone’s ears. But as far as bands and brands are concerned, this is a powerful move. I tend ramble on a lot at the beginning of these posts, but I’m pretty excited about Timeline, so I’m jumping right in here.
As you look to the future you may be getting in the mode to set goals for your career.
I am always surprised when musicians I work for at Cyber PR®, are frantically trying to reach more and more potential fans without really focusing on the fans that they already have. These fans don’t need to be found, because they are already your fans.
Studies have proven that it is much harder to make a new client and get them to purchase something than it is to get a client that already knows you and trusts you to purchase from you over and over.
I always suggest that, in measuring fans, the best place to look is at your social networks and at your mailing list.
Your newsletter list is the only place where you can directly engage with your fans on your own terms and ask for money.
Here are 12 fail-safe ways to increase / engage with your fanbase by pulling from fans that you already know and have who trust and like you for 2012.
In Defense of 1,000 True Fans Part XI – Marian Call Leveraged Twitter to Tour 50 States & Returned w/ Money in Her Pocket
Since Spotify’s US launch and the F8 announcements, a major sea change is underfoot. I have been following some of the most important and lively conversations about the meaning of all of this for independent musicians everywhere.
I don’t have much to say about it all (yet) but my knee jerk reaction is to revert back to the basics. As things get more and more complicated and as artists are being included on platforms that will yield them smaller fiduciary returns, it is more necessary than ever to remember and practice core marketing principals. I am strongly reminded of their necessity of the basics when I look at this from a global perspective.
I just returned from Scandinavia where most everyone still refuses to use Twitter and the people I met and spoke to mostly believe that email newsletters = SPAM.
“The illiterates of the 21st century will not be those who cannot read and write,but those who cannot learn, unlearn, and relearn.” - Alvin Toffler
Imagine you are a wolf.
You were raised to hunt buffalo. You could take down one buffalo and feed your family for the long haul. Then one day the buffalo disappear.
There is a new species in your environment. You have never seen this creature before. They are hairy with beady-eyes, funny tails, and look almost human; they are monkeys.
Yes, oddly enough there are now monkeys everywhere. They are swinging in the trees and bathing in your watering hole. Monkeys as far as the eye can see. You are soon sick of banana peels and your mouth waters every time you hear that annoying cackle.
This is exciting. Surely these monkeys will be easy to catch. The smell of monkey is intoxicating. You can feel your instincts kicking in so you run. Yes! Exhilarating! You are on the chase after your monkey. You run and run and run. Except the monkey climbs a tree. You don’t know how to do that. You begin chasing another monkey…they scatter and confuse you.
I normally write articles and tips for musicians to help them with their online marketing, PR and community building. But there is another topic I feel deeply passionate about: Helping the next generation who want to make it in the music business understands what it takes to achieve that dream.
To succeed in service to musicians you must have great entrepreneurial instincts and it’s advice from one of the most successful people serving artists today: Michael Laskow, the founder of Taxi.
As I type this I am flying back from the 13th annual Taxi Road Rally and I feel full of hope for what lies ahead of us all in the music business.
Because Taxi members are a unique group of artists who work TOGETHER to help each other get ahead. This was evident in every corner of the hotel, which was filled with artists networking, jamming, socializing and getting mentored by an outstanding group of industry professionals committed to helping them including Ralph Murphy, Steven Memel, Bob Baker, John & Joann Brahaeny, Debra Russell, Dude Mclean, Jay Frank, Carla Lynne Hall, Gilli Moon, and dozens more.
Are you still not sending newsletters? A new study proves you should be….
Boston based research firm Chadwick Martin Bailey has recently completed a study that all musicians should know about.
Here are the important highlights:
“Three-quarters of web users are likely to share content with friends and family, and nearly half do so at least once a week. But while much social networking content is built around such shared items, most people still prefer to use email to pass along items of interest.”
The study goes on to say: “Overall, 86% of survey respondents said they used email to share content, while just 49% said they used Facebook. Broken down by age, the preference for email is more pronounced, as users get older. And only the youngest group polled, those ages 18 to 24, reverses the trend, with 76% sharing via Facebook, compared with 70% via email.”
So, if your audience is older than 24 you better be thinking about your newsletter strategy now!
I’m often amazed when I go to an artist’s website, and I look around, and I’m trying to find basic press information and I can’t.
It seems that in the age of Twitter, Facebook, and Facebook Fan pages, and constantly focusing on your two-way conversations, we’ve forgotten the important basics.
This is a revised excerpt from my book, Music Success in Nine Weeks, (which, btw 65 artists are blogging their way through I’m proud to say) and it talks about an asset that no matter what we all face with new digital solutions, new platforms and apps that we’re going to be forced to learn, we should always remember: Your press kit.
It’s up to you to post your press information clearly and succinctly, so that you’re easy to find and write about. Posting an accessible press kit to share with journalists and new media makers( bloggers, podcasters, etc.) is good common sense.
This week, I traveled to Boston to speak at the #140 Conference. It was short and it was sweet and it featured 3 people I am thrilled I got a chance to speak with including the irrespressible and inspirational Amanda Palmer.
It happens to me all of the time when I teach artists social media.The face goes blank, the frustration begins to settle in and then the artist says it:
“I just don’t have anything interesting to say.”
I’m shocked by this every time. You are an artist; you do things we mere mortals are totally enamored by: you PLAY MUSIC, you write songs, you perform them in public!
So PHLEEASE, do not tell me you have nothing interesting to say. I ain’t buying it.
All you are missing is a System for Social Media Success.
Luckily, unlike sheer god-given musical talent, social media is a learnable skill.
As I was teaching my system to a client in my kitchen a few weeks ago over coffee and bagels and it HIT me… and so I created:
THE MUSICIAN’S SOCIAL MEDIA FOOD PYRAMID!
Here’s a little music business story for you… This one is all about MENTORING and Rolling Stone Magazine.
A Few weeks ago I participated in the mentoring sessions at the NYC New Music Seminar.This was special for me because I helped develop the mentoring sessions as an advisor to the NMS. Spending time with active artists in an intimate atmosphere where we could ask each other questions one-on-one got me thinking about the value of having access to music industry professionals and the pure gold in having mentors no matter how big a role they play in your everyday life.
Which, brought me back to a mentoring experience I will never, ever forget. It 1998 at South by Southwest. Where I signed up to meet David Wild, an editor from Rolling Stone.
As a young publicist with a stable full of full-time touring artists, the number one request I was getting from absolutely every artist who came through my agency was, “I want to be in Rolling Stone.” This request came to me no matter how small or how big the client was. And I dreaded this request because I had a problem:
Recent Popular Content
(Updated Feb 25, 2014)