The job title loosely describes what being a music supervisor is about. If you think that their job entails them sitting back and watching others do work you are mistaken. In fact they have several responsibilities that they must complete. Music supervisors are often present during the creative process, working closely with the artist, guiding the project towards a future movie, commercial, TV pilot or video game.
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Entries in music licensing (6)
Following on from our Getting Music Placed in Film / TV post, many of our community were interested to find out more about the role of licensing’s gatekeepers – better known as music supervisors.
To get the lowdown, we spoke with the wonderful Season Kent - Music Supervisor at Clear Songs. Her recent projects include: The Fighter, Limitless,Dear John, Revenge, Macgruber, The Strangers and more.
After our recent post about getting music placed in video games, we had a bunch of requests to find out also about the same process for advertising. We spoke with James Alvich from MAS (Music and Strategy) who provides a full range of solutions for brands and advertising agencies including original composition, music supervision, licensing, talent procurement, and sponsorship packages. James has over 11 years experience in advertising, specializing in television, radio and online commercial production.
I’m kinda obsessed with how artists make money mostly because artists constantly ask me how they can make more of it.
Several weeks ago, we proudly blogged in support of The Future of Music’s incredible undertaking Artist Revenue Streams, which is a must read for any artist looking to monetize their music.
The FMC has begun to release the results of their in-depth study and they have identified 42 ways artists can earn money.
Numbers 5 & 6 on the list are:
5. Composing Original Works for Broadcast (an original jingle, soundtrack, score, or other musical work for a film, TV or cable show, or an ad agency…)
6. Synch Licenses (Typically involves licensing an existing work for use in a movie, documentary, TV, video game, internet, or a commercial).
BMI began sending communication regarding the restaurant’s lack of proper licensing back in September of 2009, but it wasn’t until May of 2010 that BMI even bothered to visit Fosters to verify that the business was actually playing unlicensed music. (From page 32 of the PDF.)So without verifying anything, BMI starts demanding payment from a restaurant for “Piracy”.
This is how the mafia demands “protection”.
Music licensing is the licensed use of copyrighted music. It also ensures that the creators of musical works get paid for their work. In layman’s terms it can be viewed as leasing your property out to someone for a fee, based on how and where they intend to use it, and for how long.
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