October 13, 2009 In Defense Of 1,000 True Fans - Part I - The Mountain Goatsl
Since I started my career in this business. I’ve always been working within the 1,000 True Fans model.
Here’s my story: In 1996, I was living in Boulder, CO and I had just started Ariel Publicity, my boutique PR firm.
Acoustic Junction and Zuba two local bands became my first clients. Both had been staples in Boulder for a couple of years, and both made fantastic livings touring and selling their independent releases from coast to coast. They did this with no label, no distribution, and no major marketing budgets: just a manager, a tour manager, and me.
I also represented The Toasters, Bim Skala Bim, The Slackers, and Skinnerbox, (and practically everyone touring during the third wave of Ska).
These artists and dozens like them all made full time livings from playing and touring. They had a core group of fans that supported them by seeing several shows a year, buying merch and buying albums.
Today, it feels revolutionary when we hear about bands that make a living based on their music.
What happened? What changed?
Advice from the Experts, Creating a Strong Community, Developing a Strategy, Effective Publicity and Promotion, Expanding Your Fan Base, Getting To Know Your Audience, Handling Public Relations, Harnessing Popularity, How to Make Money, Internet Strategies, Resources, & Websites, Leveraging Social Networks, Marketing Strategies, Music Business Models, Music as a Business, Selling Your Music, The Road to Success, Understanding Your Market tagged Cds, Fanbase, business, money, promotion, record labels, sales, superfan 
