R.E.M. wrote the book on music and activism, and have tirelessly protected human rights, the environment, and supported those who needed it. To honor this rich history of great music and activism, Air Traffic Control (ATC) is collecting donations for an R.E.M. Fund through the end of October here: http://www.atctower.net/rem-fund/
ATC will work with R.E.M. to give the donations to some of the great organizations the band has worked with over the years. We will also pass along well-wishes and messages with the donation list to the band. All donations are tax-deductible. Make a donation online here: http://bit.ly/p10kHx or mail checks made out to Air Traffic Control: 1475 15th Street San Francisco, CA 94103
If you want to tweet or post, here is some language:
Please Share: Celebrate R.E.M.’s long history of great music & activism by making a donation to the #REMfund http://bit.ly/p10kHx
About ATC: Air Traffic Control (ATC) helps musicians play an effective, unique and vital role in the promotion of social justice. Musicians and managers established ATC five years ago to assemble an experienced and trusted team of leaders, resources and tools that would help them to create more effective social change collaborations with each other and social justice organizations. As a result, ATC became an artists’ air traffic control—one that develops capacity, efficiency, and coordination to produce stronger and more creative social change collaborations. For more information about ATC, please go to www.atctower.net
Music Think Tank Open
Anybody (no really anybody) can contribute anything relevant to this page…All mp3s should be posted on the MTT radio page. If you cannot find your post here, your article may have been moved to the MTT homepage.
There are several secret ingredients to making a star shine and sparkle. A lot goes into defining and sculpting the X Factor that ultimately is the key to making them stand out so big and bold. We all know by now that it’s not an overnight thing. It’s a complete recipe and leaving out even one ingredient, or adding them at the wrong time – and the formula won’t work.
Ok, there’s a bit of hype here since this is the title of my new book, but it really is a special book and addresses issues bands face in today’s changing industry. Those of you who know me, understand it’s not a vanity piece about me, instead, just like I did with TCG, it is a platform for helping artists, fostering the arts.
The letters I’m getting from kids in bands testify that it has hit it’s mark head on!
We never had any resource written by people who, other than being lawyers or academics, actually were veterans of the industry. Martin Atkins’ Tour-Smart is the ultimate guerilla touring guide for today, Jim and Jean Youngs’ book from the 70s had interviews with an assortment of people in the industry including me as cocky a 24 year old manager. RNW includes today’s bands, the websites, the labels, DIY, Indies staff, and pages of resources.
Check it out, it’s already in public libraries and receiving accolades. We need to support and nurture young artists as they are the future of our industry
Soundiron’s newly updated “Bamboo Stick Ensemble” packs a real punch by not only offering percussive samples, but also a plethora of ambiences, drones and effects.
Stem mastering is a different method of mastering audio which traditionally uses the stereo 2 track mixdown files. There is some confusion surrounding stem mastering as it appears to be akin to mixing, however this is not the case. Stem mastering utilizes groups of instruments such as bass, guitars, vocals, drums, synths, brass section etc. The mastering engineer requires these groups of instrumentation to successfully perform stem mastering. Stem mastering allows the engineer extra flexibility when adjustments are being made to the overall sound of the music. the goal is still based on ensuring your music translates as good as is possible to as many sound reproduction systems as possible.
free beta on www.kollector.com/en
AUDIO WORKS MANAGEMENT TOOL/ ROYALTIES MANAGEMENT HELPING TOOL
Tracking of albums/single airplays and discover trends before it’s gone public.
Follow-up of promotions.
Planning of tours and evaluate the potential of regional markets.
Immediate feedback on efficiency of singles.
Realtime vital and worldwide datas that can be shared with partners.
Help forecast airplay royalties for publishers and collecting societies.
Discover the new opportunities of realtime online airplay tracking and try the free Beta version on www.Kollector.com/en
*bastard in a non derogatory way and in no relation to the old meaning of the word
“New technologies have revolutionised our lives, undercutting established norms and upending industries. It’s in these periods of uncertainty that true innovators revel… this next generation of creative minds is keen to recreate the country in its own image: inspired, individual, artistic.”
What we need are radicals keen to re-imagine the creation and distribution of their art.
Many artists still think the internet isn’t all that special, that the internet is effectively just Facebook, Twitter and a nice looking wesbite. A bastard of the digital age is an artist who takes advantage of what is presented to them right now, to do something new. There will be no shortage of those people who only do something because everybody else is already doing it, but there will always be a shortage of bastards – the innovators on the outside – burrowing their way in for the explosion.
Many musicians fail to achieve success in the music industry due to lack of “follow through”. The simple act of following through on a few crucial things can make all the difference.
Going round in circles
I used to lack follow through. I’d write song after song but rarely send it to anyone in the industry. Was it laziness, fear of rejection or simply being too focused on my next musical creation? Too be honest I don’t know, but whatever the answer, the non action resulted in stagnation of my music career without me even realising it. I was busy writing songs, working hard and pushing forward, but in reality I was simply going round in circles.
I now view music “creation” as a form of preparation and nothing more. The real job is to send my work to the industry and get their thoughts and literally expose my music more. Shifting my focus in this way means I am able to follow through with each song I write.
Bitter Ruin are on a mission to get their music into the UK charts on Sunday 9th October.
“We all want that so what’s new”, I hear you say.
Well of course it’s not new but what’s different is Bitter Ruin are seeing the results of a very good piece of planning that all indie musicians can learn something from. Plus there’s the fact that they’re unsigned and doing all of this themselves with grace, enthusiasm and a good pinch of strategic thinking.
Bitter Ruin formed in 2007 in Brighton when Ben Richards and Georgia Train met at music school. Although they understood each other musically through their classical training, they had dramatically opposing music tastes. Georgia listened to Fiona Apple, Regina Spektor and The Talking Heads whereas Ben preferred rock and bands like Metallica. The result? ‘Contemporary Expressionism’ with passion and musical intelligence at the heart of what they do. Their songs are about the darker side of life and their innovative performances come alive with theatricality, strong sparing vocals, harmonisation and raw instrumentation.
How hard is it to make money these days from music? Umm, really hard! The Future of Music Coalition recently had their summit so I googled to see if anything was written to sum things up. My search of “future of music” resulted in an article - “Future of Music Summit: More Chaos Ahead
Earlier this summer, I was doing sound design for a video game company, work which involved going out into the city to capture source material to use as the basis for my projects. Applications This presented a conundrum of the ‘how should I go about this?’ type. Recording in the field can be applied to live gigs (where legal), band rehearsals — uploading impromptu recordings/videos of your band is a great way to connect with fans – interviews, on-location podcasts, capturing great sound effects and everything else in between.
A few days ago I wrote a post over on Canpages about how Justin Bieber, Drake, and Chris Brown represent a whopping 7% of Canada’s whole music economy, which as a figure is a staggering $107,000,000 a year. I thought it would also be quite interesting to look at who has the biggest impact on the music economy here in the United Kingdom and in the United States.
So you’ve got a great Google Plus profile set up, you have videos and links to your music posted, and you’re connecting with as many music industry professionals as possible. (If you don’t have a profile, you should). The next logical step is start converting other Google Plus users into rabid online fans of your music. There are two ways to go about this.