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<!--Generated by Squarespace Site Server v5.9.2 (http://www.squarespace.com/) on Wed, 17 Mar 2010 04:43:53 GMT--><?xml-stylesheet type="text/css" href="/universal/styles/feed.css"?><rss version="2.0"><channel><title>MTT Open - Comments</title><link>http://www.musicthinktank.com/mtt-open/</link><description></description><copyright></copyright><language>en-US</language><generator>Squarespace Site Server v5.9.2 (http://www.squarespace.com/)</generator><item><title>Dante Cullari comments on Screw a New Music Tax – We’ve got our Own Ideas</title><author>Dante Cullari</author><pubDate>Wed, 17 Mar 2010 03:43:45 +0000</pubDate><link>http://www.musicthinktank.com/mtt-open/screw-a-new-music-tax-weve-got-our-own-ideas.html#comments</link><guid isPermaLink="false">207938:2753322:comment/7779585</guid><description><![CDATA[<p>I'll name one independent artist who is majorly successful without major media - Lisa Lavie. Check her out on Youtube. I just had an interview with her that I'll be posting soon, and she says her only promotion is youtube and myspace. She is #34th most subscribed to of all time on YouTube, with over 20,000,000 views. I'd say that's pretty damn successful. She's called the Canadian Mariah Carey.</p><p>&quot;Is there anyone seriously suggesting we worry about &quot;taxes, lawsuits and bribes&quot; ?</p><p>I'm just curious where this straw man is, exactly.&quot;</p><p>The same people who have blogs and report on the mainstream, since there's nothing else going on than taxes, lawsuits, and bribes..and it's people who think like this:</p><p>&quot;the goal is to build up enough momentum outside of that mainstream media system in order to essentially FORCE the Fiction Factory to start giving you coverage and acknowledging you exist. It's about using this free shit as leverage to force your way into their game.&quot;</p><p>Why should we try to force our way into their game like millions of sperm trying to all fertilize the same egg? There are millions of amazingly talented independent artists all over the world that you or I have never heard of, and as a music lover, that's a big problem. Now, with the internet, If you can't change the environment to include you, you can create your own environment. That's what Beat-Play is for independent artists.  </p><p>My service is not even out for beta yet, and has not had the chance to prove it's ability to earn indie artists real attention and revenue, but it's whole design is strictly for this purpose, and we operate like no other service I've ever seen. We should be launching in May by invitation. Check us out to sign up. Can't hurt to try, there's no risk, it's free promotion.</p>]]></description></item><item><title>Dante Cullari comments on How do you like your music served? Subscription, Ad-Supported, Pirated or Downloaded Legally...</title><author>Dante Cullari</author><pubDate>Wed, 17 Mar 2010 03:27:10 +0000</pubDate><link>http://www.musicthinktank.com/mtt-open/how-do-you-like-your-music-served-subscription-ad-supported.html#comments</link><guid isPermaLink="false">207938:2753322:comment/7779500</guid><description><![CDATA[<p>I know of a solution that encompasses the best of all of those. It's only for independent artists and it can make piracy irrelevant, while fans continue to get music for free, but artists still get paid based on unobtrusive ad revenue. It's a level playing field for indie artists. It's actually not out yet. You were right when you said 2010 would be the year innovation drives the industry towards change. We will hopefully be launching in May. More info here: beatplay.wordpress.com or musicwithoutlabels.com</p>]]></description></item><item><title>Justin Boland comments on Case Study - First Steps in a Music Start-Up Venture</title><author>Justin Boland</author><pubDate>Tue, 16 Mar 2010 14:26:16 +0000</pubDate><link>http://www.musicthinktank.com/mtt-open/case-study-first-steps-in-a-music-start-up-venture.html#comments</link><guid isPermaLink="false">207938:2753322:comment/7774249</guid><description><![CDATA[<p>Kyle, </p><p>When we think of time, for reasons too complex to get into here, our culture tends to focus on the immediate present.  When faced with the question of learning a new skill, 99% of the friends and family that I have would assess it in terms of &quot;available time right now&quot; but I think that's definitely the wrong approach.  </p><p>The fact is, if you're alive right now, odds are pretty good that state of affairs will continue.</p><p>Granted, it &quot;takes&quot; more time to learn how to use your own pro tools setup.  It also &quot;takes&quot; less time to just go to a professional and hand them a medium-sized wad of Federal Reserve notes in exchange for having them Do It All for you.  <strong>But I'd argue that buying your own setup and learning it will actually give you time, give you money and give you options.</strong></p><p>If this is what you love to do, investing in it = no-brainer.  Especially for music like your own, you've got a style that lends itself to DIY recording, just like hip hop.  $2000 will buy you a powerful home studio setup as long as you've already got a computer capable of running robust Pro Tools.</p><p>That's my vote and logic, hope it helped.</p>]]></description></item><item><title>Justin Boland comments on Experimenting with new business models</title><author>Justin Boland</author><pubDate>Tue, 16 Mar 2010 14:14:26 +0000</pubDate><link>http://www.musicthinktank.com/mtt-open/experimenting-with-new-business-models.html#comments</link><guid isPermaLink="false">207938:2753322:comment/7774172</guid><description><![CDATA[<p>Normally I'd make some snarky comments about logistics, but I like your approach.  Rather than assess what you've got, just start talking about what you want. <em>&quot;Boldness has genius, power and magic in it&quot;</em>...or something. Good luck in 2010!</p>]]></description></item><item><title>Jimmy comments on Experimenting with new business models</title><author>Jimmy</author><pubDate>Tue, 16 Mar 2010 12:39:39 +0000</pubDate><link>http://www.musicthinktank.com/mtt-open/experimenting-with-new-business-models.html#comments</link><guid isPermaLink="false">207938:2753322:comment/7773565</guid><description><![CDATA[<p>Naive possibly, but no matter the financial outcome of it all, it can still create a fair ammount of press buzz, especially locally.</p>]]></description></item><item><title>Francois comments on Experimenting with new business models</title><author>Francois</author><pubDate>Tue, 16 Mar 2010 10:38:52 +0000</pubDate><link>http://www.musicthinktank.com/mtt-open/experimenting-with-new-business-models.html#comments</link><guid isPermaLink="false">207938:2753322:comment/7773038</guid><description><![CDATA[<p>A bit naive isn't it ? I mean, can you really leverage 2000 fans even before releasing a debut album ? when your myspace is under 1000 visits ??</p>]]></description></item><item><title>switchqueen comments on Experimenting with new business models</title><author>switchqueen</author><pubDate>Mon, 15 Mar 2010 19:47:07 +0000</pubDate><link>http://www.musicthinktank.com/mtt-open/experimenting-with-new-business-models.html#comments</link><guid isPermaLink="false">207938:2753322:comment/7767245</guid><description><![CDATA[<p>Good luck. With this unusual project. Count me in!</p>]]></description></item><item><title>Kyle Simmons comments on The Question of the Decade</title><author>Kyle Simmons</author><pubDate>Fri, 12 Mar 2010 18:36:03 +0000</pubDate><link>http://www.musicthinktank.com/mtt-open/the-question-of-the-decade.html#comments</link><guid isPermaLink="false">207938:2753322:comment/7747337</guid><description><![CDATA[<p>Agree with Universal Indie Records.  Drake had a lot of things going for him and didn't just come out of nowhere.  </p><p>In addition to already having the attention of millions of young viewers in the US and Canada, he had a boatload of money from the TV show to invest in his music. He dropped 25K to get Trey Songz on &quot;Replacement Girl&quot;, then hired a solid director to make a high-quality music video; then hired a marketing firm to get that song to be BET's &quot;New Joint of the Day&quot;.  Not many have those resources, so his case is a rare one.  </p><p>I think the mixtape is important to the hip-hop scene, but in other genres, artists (and fans) still need and want the album.  The only reason I'm going to give (cause this post is getting too long), is there is more money in selling the album.  They can take advantage of their 2 or 3 good singles to get customers to purchase the whole CD.  1.99 vs. 9.99 and if customers still want to buy the single, they can.  It's more of an option thing.  I don't know.  I've thought too hard about this.</p>]]></description></item><item><title>Universal Indie Records comments on The Question of the Decade</title><author>Universal Indie Records</author><pubDate>Fri, 12 Mar 2010 16:47:43 +0000</pubDate><link>http://www.musicthinktank.com/mtt-open/the-question-of-the-decade.html#comments</link><guid isPermaLink="false">207938:2753322:comment/7746667</guid><description><![CDATA[<p>To chime in on the Drake discussion.... it's known that Drake's accent was not truly organic. He benefited from having his face on a teen &quot;drama&quot; that was watched by million of young girls.  </p><p>Also let's not forget the fact that traditional radio (due to his hiring of an Independent Promotion company) played a LARGE part in breaking Drake. His songs were all over the radio. You don't think that the PD's picked up his mixtape and decided that it was so good that they just had to play his songs?</p><p>Drake press of rising from mixtapes and social media, while it makes for good press.... it's not an entirely true.</p>]]></description></item><item><title>Kevin English comments on The Question of the Decade</title><author>Kevin English</author><pubDate>Fri, 12 Mar 2010 16:22:38 +0000</pubDate><link>http://www.musicthinktank.com/mtt-open/the-question-of-the-decade.html#comments</link><guid isPermaLink="false">207938:2753322:comment/7746449</guid><description><![CDATA[<p>Hey Justin. Point well taken. Forrester and the RIAA are measuring the old model here...which is why I found it relevant to the sustainability of the full length album. Both are outdated in my opinion.</p><p>I remember Dubbers myth buster report written on this topic some time last year. Who is right? I side with the independent community on this. However, having a box set will only work if Sales - C.O.G.S. = Profit.</p><p>As always, thanks for your commentary and more importantly your work with W.A.R. The data cowboys aren't ready for you. Here's to hoping they catch up real soon!</p><p>--Kevin</p>]]></description></item></channel></rss>