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<!--Generated by Squarespace Site Server v5.11.81 (http://www.squarespace.com/) on Sun, 03 Jun 2012 15:23:13 GMT--><rss xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:dc="http://purl.org/dc/elements/1.1/" version="2.0"><channel><title>MTT Open</title><link>http://www.musicthinktank.com/mtt-open/</link><description></description><lastBuildDate>Sun, 03 Jun 2012 11:31:56 +0000</lastBuildDate><copyright></copyright><language>en-US</language><generator>Squarespace Site Server v5.11.81 (http://www.squarespace.com/)</generator><item><title>Fans Are Like Friends – So How Do You Keep Your Friends?</title><category>DIY Promotion</category><category>Right Chord Music</category><category>facebook</category><category>music marketing</category><category>music marketing</category><category>unsigned</category><dc:creator>mark knight</dc:creator><pubDate>Fri, 01 Jun 2012 10:01:00 +0000</pubDate><link>http://www.musicthinktank.com/mtt-open/fans-are-like-friends-so-how-do-you-keep-your-friends.html</link><guid isPermaLink="false">207938:2753322:16471978</guid><description><![CDATA[One of the biggest challenges for a band or artist is to attract, engage and retain fans.  When considering this challenge it appears there are clear parallels with the way we manage the relationships with our friends. So how do we maintain our circle or friends, and how can we apply these principles to attract, engage and retain fans?
]]></description><wfw:commentRss>http://www.musicthinktank.com/mtt-open/rss-comments-entry-16471978.xml</wfw:commentRss></item><item><title>MaximalSound Evolves</title><category>mastering</category><category>mastering</category><category>mastering dance music</category><category>mastering trance</category><category>online mastering</category><dc:creator>Laurent Sevestre</dc:creator><pubDate>Thu, 31 May 2012 10:00:10 +0000</pubDate><link>http://www.musicthinktank.com/mtt-open/maximalsound-evolves.html</link><guid isPermaLink="false">207938:2753322:16408311</guid><description><![CDATA[Since 2010, MaximalSound.com offers an online audio optimization service. Based on a proprietary algorithm, this service allows indie productions, labels and musicians to release their tracks complying with the highest industry standard. This processing uses the same pattern as the human hearing. It supports every music genres from metal to hip-hop, from classical to country music.
]]></description><enclosure url="http://www.maximalsound.com/en" type="application/octet-stream"/><wfw:commentRss>http://www.musicthinktank.com/mtt-open/rss-comments-entry-16408311.xml</wfw:commentRss></item><item><title>Music Powered Games Places Marketing Power of Mobile Games In Hands of Indie Artists</title><category>app</category><category>app</category><category>mobile</category><category>mobile</category><category>mobile applications</category><dc:creator>Bobby Wells</dc:creator><pubDate>Wed, 30 May 2012 17:32:53 +0000</pubDate><link>http://www.musicthinktank.com/mtt-open/music-powered-games-places-marketing-power-of-mobile-games-i.html</link><guid isPermaLink="false">207938:2753322:16498715</guid><description><![CDATA[<p>By Bobby Wells, CEO Music Powered Games</p>
<p><strong>Music Powered Games announces Music Monsters Academy, the new mobile game app that lets artist entrepreneurs capitalize on the popularity of mobile games to sell their music and create mobile game revenues.</strong>&nbsp; The app will allow thousands of indie artists to give their own custom version of the game to all their fans.&nbsp; While playing the game on their iPhone or Android device, fans can buy the artist&rsquo;s songs, buy the game levels for the songs, and share the artist&rsquo;s game with their friends.&nbsp; With one-third of people in the U.S. over 13 play mobile games monthly*, Music Monsters will give indie artists affordable access to nearly 100 million US consumers playing mobile games.</p>
]]></description><wfw:commentRss>http://www.musicthinktank.com/mtt-open/rss-comments-entry-16498715.xml</wfw:commentRss></item><item><title>Computer Science and Music Technology</title><category>Computer Science</category><category>music technology</category><dc:creator>Suzanne Muller</dc:creator><pubDate>Wed, 30 May 2012 10:00:48 +0000</pubDate><link>http://www.musicthinktank.com/mtt-open/computer-science-and-music-technology.html</link><guid isPermaLink="false">207938:2753322:16432443</guid><description><![CDATA[<p><a href="http://www.onlinecomputersciencedegree.com/"><strong>Computer Science and Music Technology</strong></a></p>
<p>You&rsquo;re a heavy-duty programming dude or computer grrl, but you also  love music.&nbsp; Is there any way to reconcile these two interests?&nbsp; Unless  you&rsquo;ve been living under a rock, you know that computers and technology  play a major role in the 21<sup>st</sup> century music scene. Audio sequencers, <a href="http://www.midi.org/">MIDI</a> and associated laptops are standard operating equipment for performers like <a href="http://www.theroot.com/print/53063">Prince</a>, <a href="http://www.nytimes.com/2012/02/26/arts/music/kraftwerk-concerts-at-museum-of-modern-art-in-april.html?_r=2">Kraftwerk</a>, OK Go, international deejay Paul Van Dyk or electronic music pioneer <a href="http://www.pluginmusic.com/news/article/thomas-dolby-prepares-first-new-album-in-20-years">Thomas Dolby</a>.  Indeed, popular music today &ndash; from indie rock to hip-hop to house &ndash;  would not be the same without innovations in computer science and  technology. The following article is an exploration of the pioneering  inventions and innovations in music technology that, through the use of  computers, continue to define the musical experience of today.</p>
]]></description><wfw:commentRss>http://www.musicthinktank.com/mtt-open/rss-comments-entry-16432443.xml</wfw:commentRss></item><item><title>Is remixing the new X-Factor?</title><category>Music Industry</category><category>Remix Contest</category><category>ableton</category><category>kids</category><category>remixing</category><category>x-factor</category><category>youtube</category><dc:creator>Tim Blackburn</dc:creator><pubDate>Tue, 29 May 2012 10:00:11 +0000</pubDate><link>http://www.musicthinktank.com/mtt-open/is-remixing-the-new-x-factor.html</link><guid isPermaLink="false">207938:2753322:16413236</guid><description><![CDATA[Or Is remixing becoming the new X-Factor? Whatever you want to say about them, tv shows like the <a href="http://xfactor.itv.com/2011/">X-Factor</a>, <a href="http://talent.itv.com/">Britain&rsquo;s Got Talent,</a> America&rsquo;s Got Talent, etc., are becoming the major way for kids to  become pop stars. The temptation to audition for one of those shows is  often too much for the budding singer, girl band, boy band, or  guitarist, and when they finally reach the live shows, there&rsquo;s the  chance to get free publicity, exposure, critique of their style and  ability. Even if they don&rsquo;t make it all the way to the final, there&rsquo;s  always the chance of being signed by a record company, however well they  can sing.
]]></description><wfw:commentRss>http://www.musicthinktank.com/mtt-open/rss-comments-entry-16413236.xml</wfw:commentRss></item><item><title>Bands - Don't Contact Me, Unless...</title><category>Advice</category><category>internet radio</category><category>music marketing</category><category>online music</category><category>radio promotion</category><dc:creator>Joey Flores</dc:creator><pubDate>Mon, 28 May 2012 10:00:04 +0000</pubDate><link>http://www.musicthinktank.com/mtt-open/bands-dont-contact-me-unless.html</link><guid isPermaLink="false">207938:2753322:16375405</guid><description><![CDATA[<div id="_mcePaste">I would love to take it as a compliment that so many bands send me email asking me to check out their music or come see them live. &nbsp;It should mean I&#8217;m important. &nbsp;Instead, I disregard most of it as spam.</div>
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<div>Mile-long emails telling me about how so-and-so is the next hot artist blowing up all over my face. &nbsp;New album press releases that assume I have 40 minutes to spend learning all about how some artist &#8220;grew up in the poorest regions of such and such area before &#8216;rising to fame&#8217;&#8221;. &nbsp;It&#8217;s all hype that makes no sense given that you have only 80 fans on Facebook.</div>
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<div id="_mcePaste">What is most annoying about these emails is that they&#8217;re not even addressed to me. &nbsp;They&#8217;re sent to the Earbits customer support email address, and have clearly bcc&#8217;d the rest of the world. &nbsp;Sometimes, they&#8217;re not even smart enough to do that, disclosing hundreds of email addresses to everybody else on the list. &nbsp;These untargeted, long-winded marketing pieces are lazy, in some cases costly, and completely pointless. &nbsp;<strong>Stop sending them.</strong></div>
]]></description><wfw:commentRss>http://www.musicthinktank.com/mtt-open/rss-comments-entry-16375405.xml</wfw:commentRss></item><item><title>Behind Lady Antebellum</title><category>Best country Songs</category><category>Greatest Country Songs</category><category>Old Country Songs</category><category>Top Country Songs</category><category>country music</category><dc:creator>Angelo Manreal</dc:creator><pubDate>Fri, 25 May 2012 10:00:42 +0000</pubDate><link>http://www.musicthinktank.com/mtt-open/behind-lady-antebellum.html</link><guid isPermaLink="false">207938:2753322:16370815</guid><description><![CDATA[Need You Now, American Honey, Own The Night, Dancin&rsquo; Away With My Heart- these&nbsp;famous country songs are some of Lady Antebellum&rsquo;s greatest hits. Lady Antebellum&nbsp;is an American country music band formed in 2006. This new band is composed by&nbsp;three talented artists namely Hillary Scott, the vocalist, Charles Kelley the background&nbsp;vocals, and Dave Haywood the guitar, piano, or mandolin player. This band was&nbsp;immediately recognized just within a year after performing. Their first recording&nbsp;debut which is a rendition of Jim Brickman&rsquo;s &ldquo;Never Alone&rdquo; reached number 14 in&nbsp;the Billboard&rsquo;s Adult contemporary chart. The band&rsquo;s first album was released on&nbsp;April 15, 2008 and had reached number one on Billboard Top Country Music Albums. &nbsp;&nbsp;
]]></description><wfw:commentRss>http://www.musicthinktank.com/mtt-open/rss-comments-entry-16370815.xml</wfw:commentRss></item><item><title>Are You A Gigging Musician Aged 55+?</title><category>Artist Development</category><category>Life in the Music Business</category><category>Mentoring</category><category>aging</category><category>boomer</category><category>performance coach</category><category>retiring</category><dc:creator>Glen Brown</dc:creator><pubDate>Thu, 24 May 2012 10:00:10 +0000</pubDate><link>http://www.musicthinktank.com/mtt-open/are-you-a-gigging-musician-aged-55.html</link><guid isPermaLink="false">207938:2753322:16355339</guid><description><![CDATA[<p>Mick Jagger is 69 this year. Will the Stones hit the road once again?</p>
<p>Are aging baby boomers influencing the world of musical performance as they continue to develop their careers and craft well into their sixties and seventies? Do they have special interests and needs that we should identify, understand and cater to?</p>
]]></description><wfw:commentRss>http://www.musicthinktank.com/mtt-open/rss-comments-entry-16355339.xml</wfw:commentRss></item><item><title>Suggestions for a Research Project</title><category>Research</category><category>music research</category><category>project</category><dc:creator>Jonathan Raz</dc:creator><pubDate>Wed, 23 May 2012 11:44:51 +0000</pubDate><link>http://www.musicthinktank.com/mtt-open/suggestions-for-a-research-project.html</link><guid isPermaLink="false">207938:2753322:16408543</guid><wfw:commentRss>http://www.musicthinktank.com/mtt-open/rss-comments-entry-16408543.xml</wfw:commentRss></item><item><title>Is Real Country Music Dead, Or Just Sleeping?</title><category>Songwriting</category><category>country</category><category>music</category><category>music</category><category>songs</category><category>songwriting</category><dc:creator>AD Maclin</dc:creator><pubDate>Wed, 23 May 2012 10:00:50 +0000</pubDate><link>http://www.musicthinktank.com/mtt-open/is-real-country-music-dead-or-just-sleeping.html</link><guid isPermaLink="false">207938:2753322:16308996</guid><description><![CDATA[Yes, the face of country music has changed.<br /> <br /> Yes, at the moment that face may be 16 years old. And, yes, maybe  adolescent dollars have been waging a battle for control of country-music airwaves and concert-tour bookings.<br /> <br /> Still, is this proud genre &#8212; which probably would try to reject George  Jones and Loretta Lynn if they were coming up today &#8212; IS traditional  country music doomed?
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