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Entries in live (5)

Monday
Jul082019

4 Fun Ways For Musicians To Calm Their Nerves Before A Concert

Touring as a musician can be fun. It can be thrilling to be on the road performing in front of fans on a nightly basis. It can sometimes be pretty nerve-racking, too, however. Performing in front of sizable audiences of people can seem pretty scary at times. If you’re a musician who wants to feel relaxed before going onstage, these tips can work out nicely for you.

 

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Thursday
Nov052015

Lessons From the Grateful Dead: Creating the Magic for Live Shows 

There’s nothing like seeing your favorite performer live. It doesn’t matter if you’re in the nosebleed section, you can still say you saw your favorite entertainer live. People who’ve seen acts that are no longer together — The Beatles, the Grateful Dead, The Beach Boys — will never forget the experience. For many, it’s because the act stimulated more than seeing and hearing: it stirred feelings that remain decades later.

If you’re part of an act that’s getting off the ground, think of ways to give your budding fan base a few extras to help them become the next wave of DeadHead-like devotees.

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Tuesday
Sep012015

New App Lets Artists Book Shows From Their Phone

Today, Pare Booking announces the launch of an innovative new tool that allows artists to book live shows directly through a clean and easy to use iOS application. By streamlining the booking process and putting power back in the artists’ hands, Pare transforms an outdated system that has burdened the music industry for years.

With the Pare app, any artist, regardless of demand, can view the details of their past and upcoming shows, control their schedule, submit counter-offers, sign contracts, and accept payments, all in one digital space.

“Pare Booking is a booking agency for the 21st century,” says CEO & Founder Brandon Breitenbach. “Over the years, every aspect of the music industry has changed–except the way shows are booked. With the growth of online streaming services, it makes more sense now than ever for artists to be able to control their greatest source of income: live shows.”

As a professional road manager for touring artists, Breitenbach experienced firsthand the frustrations that come with booking shows, a process that often overlooks independent artists. Partnering with a team of music industry experts and software engineers, he created Pare, a tool that empowers artists to manage every aspect of the booking process from the palm of their hand.

“The goal is to increase artists’ profitability and productivity through a simple website and mobile application,” says Breitenbach. “We want Pare to champion every artist, from aspiring musicians to well-known acts.”

Pare will launch with artists spanning all genres of music and is expected to get the most traction in cities known for live music like Austin, Nashville, New York, and Los Angeles. The app is available for any artist in the United States, but will soon be open to artists around the world.

 

Friday
Jul172015

What New Artists And Managers Can Learn From The Everly Brothers

Recently a friend who has the advantage of being an astute student of the music business from the outside - the advantage being that he doesn’t have to rely on the music business to make a living – threw out the trial balloon statement that what we should be looking for is the next Everly Brothers.

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Tuesday
May202014

The Ultimate Gig Booking Guide | Phosphene Productions

 

Booking regular shows is an essential part of being a musician when expecting to be heard by the public, and a question we here at Phosphene Productions get asked a lot about. Though everyone has their own technique when it comes to finding the perfect show, many artists new to the scene should devise a “template” to work by and to keep yourself organized when contacting so many different people.

Our goal in this article is to give you a sort of template to use when beginning to develop your own booking strategy, and by the end you should have all the necessary information to kick off your gig.

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