re you a bold visionary in the Entertainment, Fashion, or Music Industry?
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Entries in Music Industry (73)
re you a bold visionary in the Entertainment, Fashion, or Music Industry?
In recent news Spotify has partnered up in a steamy business relationship with Starbucks. The deal makes Spotify the sole supplier of music to all 7,000 Starbuck stores. Baristas will be creating music playlists, using Spotify’s Premium membership in early fall. Starbucks reward members will have access to music on Spotify and have a huge influence on what is played in the stores. Reward members will also be able to use their star rewards as currency just like a virtual jukebox, for subscribing to Spotify’s Premium membership.
Billy Corgan, Smashing Pumpkins frontman, believes that the music business model is outdated and takes advantage of artists. Corgan said, “The music business is mostly run by feckless idiots who do not subscribe to the normal tenets of capitalism which when they do, the business tends to work out well and stars tend to rise to the top, everybody benefits, but it is still a parochial business. It is run by thiefdoms way behind the times technologically.”
In our last blog about Music & Fashion, we highlighted how these two elements can come together to make a powerful force in the entertainment and fashion industries. You can take that on and allow yourself as an indie artist to be a part of that force. Today, music artists are setting the latest fashion trends. Consumers are being inspired by what today’s hottest artists are wearing on red carpets, interviews, appearances, concerts, and even on their social media during random outings. Some wardrobe choices are only meant for the stage however, fans are constantly wondering, “What are they wearing? How can I get it?” This blog can go for up & coming fashion moguls as well. You want your clothes to have more exposure in your industry, team up with a great artist to help build that brand. Gain their fans as future customers.
315 Bowery was never the same thanks to Hilly Kristal. Kristal changed the Punk scene in 1973 and never looked back. The place to be was Country, Bluegrass, Blues and Other Music For Uplifting Gormandizers, better known as CBGB. This biker bar turned music club came to life with the likes of The Ramones, Blondie, Patti Smith, and the Talking Heads.
BRASH! – A Music Marketing Blog is designed to provide artists with knowledge of music marketing as well as various trends and hot topics within the Music Industry. The goal of BRASH! is to provide a different point of view on specific topics along with providing ideas for different avenues available to take in music career endeavors. This blog also give Indie Artists a chance to gain press by highlighting/featuring them with an exclusive interview in the “BRASH! Artist Spotlight” segment. Readers will have the ability to provide feedback as well as subscribe to interact and stay informed.
Atlas Music Publishing have signed the Counting Crows to a global music publishing deal, as announced today by Jennifer Blakeman, Chief Creative Officer. The agreement covers the entire catalog (excluding the most recent album), and includes multiple hit singles and albums that have sold collectively over 20 million worldwide, including the Academy Award nominated single “Accidentally in Love” from the film Shrek 2.
BRASH! - A Music Marketing Blog started in 2012. This blog was designed to provide music marketing tips for Independent Artists as well as provide a platform for exposure by giving exclusive interviews and social media promotions. In 2016, BRASH! is ready to expand to the magazine scene but we need your help. In order to bring this to life we are accepting donations to design, create, and develop a Music Marketing Magazine to increase exposure and awareness for quality Indie Artists. Funds raised will be used for staff memebers (writers, graphics artists, events etc.) as well as the development for the magazine’s platform, both online and print.
Too many times aspiring rappers see the artists with major label deals who seemingly don’t have to do their own hand to hand promo. This leads the unsigned artist in to mistakenly thinking that face to face interaction with fans is unnecessary. The majority of unsigned artists believe that the formula for success is:
- good internet numbers;
- major label artist features;
- radio play; and
- tour dates opening up for bigger acts
If the above were true – then every artist with some money and a lil sense would be successful. However, we who work with music everyday know that this is far from true. I’m sure that most people reading this know artists and/or indie labels who’ve spent millions to put the above pieces in place – yet never see any success or get a real return on investment.
I’ve been working with a very talented independent rapper from the midwest for about nine months now. We’ve been building his following and fanbase up from nothing. This artist has several investors who pooled together the budget for a proper run - and a lot of the time was spent preparing this artist for the “industry” and the shenanigans these fcukboys try to pull.
He’s been on and off the road since November, working very hard to win over new fans and spread his music. Sometimes he has to bring his kids with him, other times I have to stop him from attacking certain “industry” people who are obvious scammers. But for the most part he’s been doing a great job building his brand.
One individual can never be allowed to undermine or destroy a successful business. If a player isn’t happy and wants to leave – they should be allowed to continue their career elsewhere. Each team needs players who will benefit the team as a whole – this benefits the business as well – because the team IS a business.
MINI: Music Business: It’s a Dirty Game! FULL COLOR eBOOK & INSERTS! Preview Chapters 1-6 for only $2.99 This MINI version is AVAILABLE NOW at the low cost of $2.99 Direct from www.sevenwestpublishing.com for a limited time! See full color inserts showing firsthand some of the tactics used to deceive the masses and to hide the truth behind decades of abuse. FIND OUT FOR YOURSELF WHY AND HOW IT ALL BEGAN!
The Day The Music Dies: What’s Really At Stake When Licensing Music
By Christopher Rucks—Music Dealers
It’s more than just a car to drive. It’s more than just a belt to hold up your pants. It’s more than just a song to go in a web video. It’s a promise of service.
We recently lost a music licensing opportunity. We proposed a fee of 1K for the requested use; web content, worldwide, perpetual use, mid-tier, but phenomenally licensable up-and-coming artist that we have a great relationship with.
It’s no secret that often in the world music, it’s more about “who you know” than what you know. The industry generally favors pre-existing relationships, whether you are looking for a venue, a sponsor, a review on your new album, or a slot at SXSW. Like it or not, networking can make or break an act.
Focus on taking a few steps closer to your goal by working on your contacts a few minutes each day. Here are some of my favorite tips on networking: