In this article I pronounce the new era of music, Music 3.0, is real. As proof I offer this video chronicling the band For All I Am using Song Prediction, a digital tool that predicts the commercial potential of a newly recorded song, and even better, provides suggestions for improving it. Digital tools like Song Prediction are also the replacement for today’s record label promotion spending. They allow bands to give fans new experiences that surprise and delight, causing growth to go viral. If making great music and music promotion are a band’s most difficult jobs, the digital solutions to do it better, quicker and cheaper are here… right now.
Music Think Tank Open
Anybody (no really anybody) can contribute anything relevant to this page…All mp3s should be posted on the MTT radio page. If you cannot find your post here, your article may have been moved to the MTT homepage.
Entries in Music Industry (69)
“People gonna talk about you ’til the day you die; and there ain’t nothing you can do about it.” This is one of my favorite Madea movie quotes because this is true. Especially in the entertainment industry where artists are constantly being watched, attacked, and ridiculed for making life’s mistakes or even for things that are blown out of the water by the press. A few artists escape the daily bashing by flying under the radar and keeping a simple private life. While others feed on the bad press to stay relevant and/or capture attention towards their latest project. But is exposure for your music REALLY worth the negative press?
You know the saying: if you love what you do, you’ll never work a day in your life. It’s not 100% accurate (there will always be aspects of your job that you’ll hate… I’m looking at you, accounting), but I do think people need to follow their passions and make careers out of them.
I meet lots of people who tell me they want to work in the music industry. After all, music is something that’s easy to be passionate about, so why not make a career out of that? Makes sense.
I get lots of people asking me advice on how to get started. I was just speaking with someone last week who graduated with an MBA who wanted to work in the industry, and he asked me “Where do I start? Who’s hiring? What kind of jobs are out there?”
OK, so we’ve all heard about the impending end of the music industry brought about by piracy. We’ve also been privy to the industry’s reaction, which took the form of PIPA/SOPA and more recently, ACTA. It’s clear how these measures might benefit a few established labels, but how does this help amateur musicians trying to make a living off their music?
A young team of music enthusiasts decided to tackle these issues by organising an event centred on the future of music distribution, which will take place in Maastricht, the Netherlands. The conference is titled M3 Event and set to take place on Friday, the 1st of June, 2012.
StudioVox (www.studiovox.com) is built from the ground up for creative professionals. It’s not just another profile site. It’s the only social community that encompasses creatives, agencies, industry and fans on a single platform.
StudioVox offers unlimited music, image and file uploads, so you can express your creativity without restriction.
Here’s our intro video - turn up the volume, set it to full screen and enjoy!
I have never made the connection between ‘making a living from’ and ‘making music’. To me, making music is making art, art cannot be relied on, art is volatile. When it is not, it is mundane. And mundane shifts in vast quantities. But so does the other stuff, the volatile stuff.
I hate the music industry because it is an industry obsessed with youth (i am a youth and i still hate it), it is not possible to grow old gracefully.
The music industry is like this wining child. It’s an immature, baby of an industry.
Piracy was what the (now dormant) SOPA bill was all about, and was never far from anyone’s lips at MIDEM this year. But bored of the same tired arguments against piratebay, bittorent sites and the infamous Megaupload, the industry has turned its attention to those who actually do stay on the right side of the law
Getting involved with your following
When I speak of being engaged, in a Marketing perspective it doesn’t mean to “Put a ring on it”. As we all know, you can be engaged with people by becoming involved whether its in a business aspect or a relationship. As an artist, you should want to have engaging conversations with your fans, interested media outlets, and industry professionals. This will help you to expand your brand and exposure in the industry.
New addition to Music Marketing Blog highlighting artists
(ATLANTA, GA), Jan 31, 2012 - BRASH! – A Music Marketing Blog, developed by Paina B Music Marketing, has now added a new element highlighting artists. The “Artist Spotlight” will give established as well as up and coming talent an opportunity to gain exposure to expand their brand. Each month, BRASH! will post, highlight, and give positive reviews for 1-2 artists. The goal of this new element is to provide a platform for quality artists.
Since this new addition to BRASH! was announced earlier this month, artists have been flooding Paina B Music Marketing’s email and social media sites to find out how they can have a chance to be on the site’s artist spotlight section. “The purpose of Paina B Music Marketing is to get quality artist to the forefront. Instead of making other media outlets take notice and provide features, why not take that step as well and give an additional outlet for exposure.”, says Paina B Music Marketing CEO/Founder, E. Alexcina Brown.
To sign up to be considered to be featured on BRASH! – A Music Marketing Blog “Artist Spotlight”, send music links, bio, YouTube link to PBMusicMarketing@gmail.com.
Contacting music industry professionals can be easy if you have the right approach. Unfortunately, many independent artists do not use the right approach and have limited success. The Guerrilla Promotion tips in this post are designed to help musicians that find it difficult to get in touch with or to work with music industry professionals. If you find yourself leaving a lot of message that don’t get returned, or cant get people on the phone, this article may help.
Hi guys. I’ve been a long term reader and contributor of Music Think Tank, and thought it’s about time I gave something more back to the community.
As some of you may know, I recently released my course ‘The IMA Music Business Academy’. It’s a course that aims to teach the independent musician the business side of the industry, giving them all the knowledge and practical skills they need to fast track their music career.
The course has received a lot of good feedback so far, and with the door now back open, I want give you the chance to get involved free of charge.
I’m giving away three prizes of a year’s long access to the IMA Music Business Academy (Each prize valued at $181). If you want to win this great prize, all you have to do is:
Ok, there’s a bit of hype here since this is the title of my new book, but it really is a special book and addresses issues bands face in today’s changing industry. Those of you who know me, understand it’s not a vanity piece about me, instead, just like I did with TCG, it is a platform for helping artists, fostering the arts.
The letters I’m getting from kids in bands testify that it has hit it’s mark head on!
We never had any resource written by people who, other than being lawyers or academics, actually were veterans of the industry. Martin Atkins’ Tour-Smart is the ultimate guerilla touring guide for today, Jim and Jean Youngs’ book from the 70s had interviews with an assortment of people in the industry including me as cocky a 24 year old manager. RNW includes today’s bands, the websites, the labels, DIY, Indies staff, and pages of resources.
Check it out, it’s already in public libraries and receiving accolades. We need to support and nurture young artists as they are the future of our industry
She’s not dead, but she isn’t well. I don’t want to be like any one of the other Nine Million Music blog posters out there and write about a day gone by like it was perfect, or even that great for music herself. Long ago, music lived in the air, for free, no matter where, no matter what. The only way you could hear instruments being played, is by proximity to a performer, or do it yourself. This is not the time so many seem to sing the praises of. They sing praises of a funnel system, that advocated control of music, and mechanical rights licensing and other dirty words.. They sing of the 50s or 60’s or 70’s or God forbid the 80’s as the hey day for music. I strongly disagree…
I wanted to know which song pitching services worked best for musicians and have created a simple to understand comparison chart. This Blog post looks at my experience with early pitching companies and my thoughts for the future.