“Worn out shoes”, is a blues tune written by Bud Elkin about the typical blues many people face when one person in a relationship feels cheated by the other. Many times, it comes through infidelity, and other times it comes from boredom, but generally, it ends up with one or the other person packing up and leaving.
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Entries in Blues (26)
Neon Lights, Lisa’s stunning sophomore album, burns with the grit-filled, heartfelt sounds of that process. The moods and tales within are as frank and richly varied as the life of their earthy-voiced creator: The disc’s 11 built-to-last songs are typified by such offerings as “You Got Your Freedom,” a rough-edged, blues-rocking kiss-off to a departing ex-lover, and “Once I Leave LA,” a sobering meditation on the thoughts of a desperate friend set to a bittersweet waltz. And then there’s the title track, an image-rich, gospel-tinged narrative that cashes in on the singer’s observations from her years as a professional poker player.
Singer/Songwriter Danny Django is one of those genuinely humble, genuinely interesting guys with guitars who has something worthwhile to say, and is taking the time to say it. With a gritty Americana Blues Rock sound placing him in league with Cat Stevens, Neil Young, and Tom Petty, Danny Django is the voice of a generation ago set in modern times. Basically, Woody Guthrie with a band and digital audio gear. The message of these greats is imbued in Django’s work as well, with the quest for peace, love, and the common good setting the course for his songs and stories.
At a time when most kids his age are obsessed with the music video game Guitar Hero, 15 year old singer/songwriter Clay Melton is getting ready to prove his real world Guitar Hero status. As leader of the Clay Melton Band, he’s already impressed his live audiences with his Blues-infused Rock style. At just 11 years old, Clay found his calling in life—playing guitar—after listening to Jimi Hendrix’s blistering version of “All Along The Watchtower.” Clay knew what he was meant to do and got to work straight away. He took a one-week guitar course at the local community college and spent all of his spare time in his room just playing. The hours a day listening and learning have paid off as he prepares to open for legendary musician Edgar Winter.
jJolley is a talented surf survivor. Not the California, Beach Boys kind of surf but the gritty Motor City Rock & Roll kind of surf… the Bob Seger, Kid Rock, Eminem kind of surf. Through his stamina and dedication, Jay has kept his balance and caught some great waves. He’s established himself as an exciting singer performing at the front of such notable bands as 2XL, Flash, Notorious Johnny’s and The Heat.
Deborah Crooks is a seeker. The San Francisco Bay Area-born and bred singer/songwriter grew up at the nexus of two tectonic plates; close to a city known for its history of social, musical and political upheaval. These days Crooks is a vibrant artist carrying on the San Francisco tradition of powerful female singer/songwriters with literate lyrics and progressive musical attitudes; well respected within the music scene and increasingly so outside of it.
Like those last few seconds before recess, the wait is unbearable. Tapping their feet, humming favorite songs: the crowd is antsy for the show to start. But where’s Mister G? Then, from off stage, the funky guitar groove kicks in, and countless tiny hands reach for the sky. By the time Mister G appears with his trademark hat and bright red shoes, high-pitched shrieks are threatening to crack the windows.
Put five musicians together in a room and let them improvise. Hit the record button. What will you end up with? This is a song from Mojo Mancini’s stunning self-titled debut.
Brian Brazil is an accomplished and dynamic performer of Blues, Rock, Roots and Country Music. His powerful baritone voice has been compared to Jim Morrison, while his expertise on harmonica is a noteworthy blend of techniques from legends like Charlie Musselwhite, Norton Buffalo and Charlie McCoy.
“Without our songs and stories, we are nothing.” This one phrase tells you what you need to know about SJ Tucker. Multi-instrumentalist, road warrior, front woman, back office bard, songwriter and rallying point; yes, she is all of these things. More than most, though, more than anything, she is a storyteller. She is the voice of lore at the campfire and the sharp laughter of modern myth, a vanguard of the Mythpunk movement with a gypsy Celtic folk rock sound that cannot be ignored. With one hand on her art and the other held out to you, she is songs and stories, community and wit.
Sitting across from Leslie DiNicola, you get the feeling that you’re sipping coffee with Sandra Bullock or Jennifer Aniston- the sexy “girl next door.” But when she opens her mouth on stage, she unleashes the soulful blues diva that will rock your world. Not many artists today can dazzle 38,000 people at Citi Field and then, moments later, take the stage at an intimate club like Googie’s Lounge and captivate the audience with merely a whisper into the microphone. But Leslie DiNicola can. And has.
Tin Pan connotes a world from the past – the most dominant and enlightened strains of American music of the early part of the 20th century – jazz, blues and American popular song. But it would be a mistake to say that Tin Pan is fixed in that past. Rather, it is music created to be enjoyed profoundly and joyously in the present. The band has created a rabid following by playing music that resonates powerfully because its intention is pure – to make people dance, smile and conjure with the spirit of music itself. On their new album, Hound’s Tooth, the band has perfected their sonic vision – effortless, wondrous and festive, feeling much like, as the band describes themselves, Ray Charles and Tom Waits at a Bourbon Street Parade.
Not many blues artists can call themselves “the Doctor of the Blues” without a whole stretcher-full of the idiom’s winking big talk. But Marshall Lawrence can, and with only the slightest bit of irony. The award-nominated Canadian bluesman actually holds a doctorate in psychology, and he knows how to use it—just as he knows how to use his slashing guitar, stinging, lightning-fast slide, and pleading, mournful moan: Marshall’s prescription for a maximum blues remedy.
Amy Coleman has performed throughout Europe and The United states. She has opened for Peter Frampton, Richie Haven, and Buster Poindexter. Ms. Coleman has just released her newest CD Goodbye New York.
Forged in the crucible of the New York rock scene, Lily Sparks has emerged with a unique voice. Flanked by glitter guitars that alternate between crunch and wail, the singer’s got a set of pipes that can go from fragility to fury in a heartbeat. These girls play hard-rocking, toe-tapping songs that’ll make you want to shout and sing along.
Indianapolis, Indiana’s prog-funk ensemble, The Twin Cats, have been on the path to creating their own distinctive approach to fusion music since their line up was finalized in 2004 by blending influences from funk to prog rock, jazz and electronica.
Veteran rock singer, Don Sprik, has titled his fourth CD Nighttime Businessman. These two words likely conjure up everything from graveyard shift workers, to lovers that no doubt ‘get around.’ But Sprik’s intention with this new disc’s title track is not quite so dreary as putting in man hours during the middle of the night, nor does it refer to some kind of late night Lothario. Instead, this gravelly-voiced singer is, instead, referring to the greatly underappreciated job of empathetic friendship. In this particular case, he’s playing the listening ear to a woman who has surely been done wrong. “It’s a song about just trying to come along side of her,” Sprik explains, “not trying to give her a bunch of advice, but just trying to be there.”