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Entries in contracts (9)

Tuesday
Feb252020

Legal Basics For DIY Artists And Musicians

Under US copyright law, copyright (literally, the right to make and sell copies) automatically vests in the creator the moment the expression of an idea is “fixed in a tangible medium” (in other words, the moment you write it down, type it or record it). With respect to music specifically, there are actually two copyrights: a copyright in the musical composition or song owned by the songwriter and a sound recording copyright in the sound of the recording owned by the recording artist (but usually transferred to the record company when a record deal is signed). It is important to remember that you own the copyright in your work the moment you write it down or record it, and you can only transfer those rights by signing a written agreement to transfer them. Therefore, you must be wary of any agreement you are asked to sign. 

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Tuesday
Nov062018

Contracts Studio Producers Should Be Familiar With. Part 1

Here we compile and analyse information about the type of contracts that studio producers and sound engineers are likely to require as part of their work. Our objective is to clarify when and under which circumstances sound engineers are entitled to ownership of copyright and when a one-off fee will suffice.

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Tuesday
Apr102018

Contracting With Minors In The Entertainment Industry - Judicial Approval A Necessity For Businesses From Modeling Agencies To Tech Companies

Contracting with minors in the entertainment industry can be a legal minefield. From talent bookers and modeling agencies to technology start-ups and other computer software companies, the predicament of employing or contracting with a party under the age of eighteen has become an increasing problem. The minor is not bound by the contract and may disaffirm the contract at any time during minority or within a reasonable time after reaching majority. Without a valid written agreement the employment is “at will” under the law of most States which means the minor can depart at any time. The dilemma created by a minor’s ability to disaffirm a contract is that it may seriously jeopardize the employer’s financial investment in the services of the minor whether it is the ongoing efforts of an agency to develop the career of a young talent or the technology company’s expectation that is owns the copyright in the code created by the teenage whiz kid it employs.

 

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Thursday
Jan252018

Urgent Warning!: Time Is Running Out For Artists & Writers To Exercise Their Termination Rights Under U.S. Copyright Law

 1976 Copyright Act provides for the termination of copyright transfers – but authors need to act within a limited timeframe. Creators are entitled to reclaim their copyrights regardless of any contract stating otherwise after certain time periods. Therefore, even if an author, artist, musician, photographer or songwriter signed a contract which purports to transfer all rights in a work for perpetuity, the Copyright Act provides that the author of the work can terminate that grant and demand that the rights revert. Authors and creators are now entitled to terminate their contractual transfers and demand back control of their copyrights; authors can terminate their book publishing contracts, songwriters can demand return of their musical compositions from music publishers and recording artists and record producers can demand return of their sound recordings from the record companies.

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Wednesday
Oct252017

8 Music Investment Agreement Tips

This post by Canadian entertainment lawyer Byron Pascoe originally appeared on the Bandzoogle Blog

Disclaimer: This article does not provide advice regarding how to find an investor for your music career!

However, reading this article may assist in structuring the relationship between you and your investor.

Some musicians looking to raise money to record and promote a new album turn to online platforms from PledgeMusic to Kickstarter. These platforms are vehicles to obtain financial support from fans, friends, and family.

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Monday
Apr242017

Legal Basics For The Diy World: Artists, Authors, Creators And Musicians

Under US copyright law, copyright (literally, the right to make and sell copies) automatically vests in the creator the moment the expression of an idea is “fixed in a tangible medium” (in other words, the moment you write it down, type it or record it on tape). With respect to music specifically, there are really two copyrights: a copyright in the musical composition owned by the songwriter and a sound recording copyright in the sound of the recording owned by the recording artist (but usually transferred to the record company when a record deal is signed). It is important to remember that you own the copyright in your work the moment you write it down or record it, and you can only transfer those rights by signing a written agreement to transfer them. Therefore, you must be wary of any agreement you are asked to sign. 

Click to read more ...

Wednesday
Feb222017

How Do Bands Effectively Manage Their Royalties And Contracts?

When a band begins to achieve success, money will start coming in. Young members of a band and people who are new to earning an income through music may not know how to manage the income from royalties and contracts. These four tips will help you to effectively manage your income.

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Thursday
Oct132016

Judicial Approval Of Contracts With Minors - A Necessity For Businesses (Record Business, Modeling Agencies & Tech Companies)

If a person or entity contracts with a minor they need to understsand the law. From managers to production companies to modeling agencies, and even technology start-ups, the predicament of employing or contracting with a party under the age of eighteen has become an increasing problem. The minor is not bound by the contract and may disaffirm the contract at any time during minority or within a reasonable time after reaching majority. Without a valid written agreement the employment is “at will” under the law of most States which means the minor can depart at any time. The dilemma created by a minor’s ability to disaffirm a contract is that it may seriously jeopardize the employer’s financial investment in the services of the minor whether it is the ongoing efforts of an agency to develop the career of a young talent or the technology company’s expectation that is owns the copyright in the code created by the teenage whiz kid it employs.

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Wednesday
Feb102016

10 Reasons Why You Should Not Enter A Musical Reality Competition

Today we’re going to look at a contract to enter a new musical reality competition called Songland, which is being produced by NBC. It’s supposed to be similar to The Voice (even includes Adam Levine), but this time it’s for songwriters of all genres. You can check it all out here: http://songlandcasting.com.

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