Unknown The Universal Element: Unknown or as he is simply called ”Un” has been dedicated to music since his youth.Today Unknown the Universal Element is looking to expand his music worldwide. He does not censor his music or altar his sound for anyone it is all about integrity.
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Like the rest of life, music shouldn’t make you feel like you’re just punching the clock or spinning your wheels. It should be a journey. One in which the artist weaves together his or her experiences into impeccably performed songs that not only appeal to the ear with strong hooks and addictive melodies, but also resonate deeply on an emotional level. Tunes that have the power to directly move the listener to their very core, and perhaps even serve as reassuring beacons during difficult times. Such a skill is, of course, a rare gift for any artist, and one that takes most of them decades to attain, if at all. And yet it’s a skill that Zach Maxwell, still only in his mid twenties, already has—in abundance.
Springtime is a classical waltz composition for full orchestra. The theme imparts a happy uplifting mood.
I used a fair interplay between the strings and woodwind section, and between major and minor key sections to give it a rich and pleasant listening experience.
Hope you enjoy it!
Check out http://www.jpzmusic.com for more of my compositions!
After taking out the 2009 New Artists to Radio Competition, Mojada’s ‘Find A Way’ has been warming up the Australian music scene as the teaser first single release from their Debut Studio Album.
Find A Way was the #1 most added track to Australian Commercial Radio (Adult Contemporary), and #6th overall in its week of release. Since then it has been on the Top 20 most played Independent artists chart each week, and has been added to Pay TV and Free to Air Music channels.
After arriving back from the USA at the start of 2009 with some fresh mixes, Mojada capped off their most successful year to date ahead of their Debut Studio Album release set for later in 2010.
After landing sync deals for 2 of the tracks from their US mixed April released EP ‘Exactly’, a 3rd track went on to win the 2009 New Artists to Radio Competition..!
Americana singer/songwriter Danika Holmes states, “Through my songs I hope to touch hearts in the tough times, as well as celebrate life in the good time.”
Gabe Hizer is a Nashville, TN-based singer-songwriter, originally from Long Island, NY. He attended the Berklee College of Music in Boston, MA, played in various rock and pop cover bands in the 70s, and more recently led a blues band for a couple of years. He is now performing as a solo artist, featuring his complex guitar arrangements, well-crafted songs, and wide vocal range.
While a professional musician for a decade, in both the Punk band Pillars of the Community and Folk band Grimes & Kane, BONE GUNN has always been an outlet for Bryan’s obsessive perfectionism. All other work aside, BONE GUNN has always been the final goal. BONE GUNN embodies Bryan’s creative fervor and the incredible talent and drive of its members.
“Stevie Ray Vaughn trapped in a woman’s body with Janis Joplin screaming to get out.” This is how one critic describes Kelly Richey, a blues-based rock virtuoso. Buoyed by critical praise and fiercely loyal fans, The Kelly Richey Band tours extensively bringing their electric live experience to venues throughout the US, Canada, and Europe. The attention centers around this Kentucky native’s guitar playing; Richey’s proficiency has earned her comparisons to Jimi Hendrix and Stevie Ray Vaughan while gaining her a place on stage with blues legends, Albert King and Lonnie Mack.
Are Dudley Saunders’ “underground” years finally over? After nearly two decades spent crafting haunting, “character-study” songs out of the spotlight, Dudley’s third album THE EMERGENCY LANE ended 2009 the surprise winner of the Outmusic Award for “Outstanding Album of the Year”.
A “life-on-the-edge” portrait-painter in the Tom Waits/Rickie Lee Jones mold, Dudley gives his story-songs an extra, post-modern twist: a lilting folk-jazz love song turns out to be laced with S&M sex (LOVE SONG FOR JEFFREY DAHMER), or a vivid portrait of New York street whores stops midway through for a decidedly unromantic re-write (THE RAIN ON 8th AVENUE). Nothing quite comes out straight in Dudley’s music.
Coming from a farming community in Far North Queensland, 8 Ball Aitken is the oldest son of an impoverished family of twelve children. 8 Ball spent his adolescence on a banana plantation, living in a rough tobacco shed with resident rats, bats, snakes, and spiders as his sleeping companions. He started work as a farm labourer aged fifteen, doing back-breakingly hard work on the mango and banana plantations of the Atherton Tablelands, a man’s work for a boy’s pay. He had to help support his family with these wages.
Marfa, Texas, is a pretty weird place. The modest-sized city—its population of 2,400 equals roughly half its altitude—was named for a character in a Russian novel, served as the set of James Dean’s last movie, and has since the late 1800s been known for the mysterious Marfa ghost lights, the unexplained glowing spheres that appear randomly in the night air east of the town. But Marfa is also home to another astonishing and out-of-the-ordinary phenomenon. One that’s simmering. Rumbling. Steadily building in intensity—and about to explode onto on unsuspecting music world like a blinding, white-hot, bird-flipping supernova. Its name? Satanic Punk International Conspiracy—or S.P.I.C. for short.
Inspired by tight reggae rhythm sections & thrashing punk bands, Three Hofstra University graduates birthed The Roast Beef Curtains. Taking a DIY approach, Andrew, John, & Mike evolved The RBC into the best live reggae, dub, & punk experience on Long Island.
Nadia is a Canadian born singer/songwriter with a penchant for metaphoric lyrics and eclectic musical influences. Her influences of rock, soul and folk are evident on her debut album Arrival from the Beatles-esque Julian to the soulful pop of Arrival and the bluesy depth of the Blues Always Bleed Red. Her live show is a ruckus energetic version of the album.
MoPo (aka Robbie Kowal) is one of America’s most versatile, experienced and flat-out joyous party rockers. His decade long mission is to ‘put the party back into the party’, and to connect the casual music fan with the hard core dance music mavens; proving that music is more than just beats. San Francisco’s bootleg indie remix partypusher, is known for a rare ability to play exactly the right music for the moment and an expertise with a wide variety of genres that he seamlessly melds into a coherent blend. Since breaking out as a rare groove Dj in the 90’s he has spent the 21st Century defining a sound he calls “Electric Nostalgia” using eclectic club styles, break beat, trip hop and tech funk as a backdrop for his genre-bending experiments.
From a near religious love of funk and hip hop, to a lifetime study of rock and roll to a massive aptitude for latin, reggae and other outernational formats, MoPo incorporates bits and pieces of music culture into electronic edits that slam the dancefloor. As a backdrop, he creates, edits or chooses only the biggest baddest breaks, hooks and drops to create a sound that truly slams. To the dancer, MoPo is a breath of fresh air, often transforming a room into collective song or crowd chant that connect the audience to the DJ.