“Can we get in Pitchfork?” I’ve been asked this question by many artists who are just starting out, and of course, there is always that chance. However, there seems to be a looming expectation attached to the question that has some troubling residue. One artist advised me that he would accept interview requests from publications like Pitchfork or Rolling Stone, but I would have to get his permission for “smaller publications”. Do you see the issue here?
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Entries in music philosophy (2)
Anybody who wants to do anything in the world of art or music that affirms life and living is fine by me. Where our paths diverge however, is when that one begins to propagate the idea that the only requirement to fall under the definition of music is for there to be a sound or a collection of sounds.
Definitions are important; without the boundaries necessary for something to be defined, anything could be called anything and nonsense would result. So it is important to require some exclusivity in the definition of music. To be so inclusive as to merely require the presence of sound is to redefine music and consequently collapse it’s meaning. There is obviously nothing wrong with sound for the sake of sound, but for the love of art –please don’t put it in the same category as Beethoven’s 9th or the Beatles’ Abbey Road.
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