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Entries in spotify (16)

Thursday
Jan232014

The Complete Musician's Guide to Spotify

Spotify has unveiled one hell of a lot of features for independent artists these past few weeks. To be honest, I had a hard time sifting through what a lot of the new features were, namely; why getting an artist “verified” mattered at all, what the point of playlists were, and what Spotify analytics could do that other types of data couldn’t.

I’ve done my best to put the new Spotify features into laymans terms to help you understand what they do AND how you can get them up and running so your Spotify profile kicks just as much ass as a major label artist. I’ve also included 6 promotional tips at the bottom of the article to help you leverage Spotify’s new artist tools to gain new fans and more plays on the music-streaming service.

Click to read more ...

Wednesday
Apr242013

How Does Spotify Pay Artists? An Answer That Makes Sense!

How much does Spotify pay artists? It’s the biggest mystery in music. One independant artist claims to have received a measly $0.004 per stream. There was a rumor that Lady Gaga only earned $162 from a million streams. Even indie band Grizzly Bear chimed in to express their displeasure with the alleged slave wages of Spotify declaring that they only received $0.001 per stream. Some have even taken to restricting their music from the service altogether. Is it really that bad? are the payments that low?

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Tuesday
Nov272012

CAZZETTE Releases Anticipated Debut Album "Eject" with Popular Streaming Service (11/12/13)

Cazzette is about to blow up, or at least that’s what one of the world’s largest streaming services claims.  When their debut album Eject drops tomorrow, it will be marketed in full force by Spotify to millions of users worldwide.  The major marketing push is really more of an experiment for the company to discover whether or not they can help break new artists.  It just so happens that their first “experiment” is being done with one of the most hyped EDM artists of the year.  Cazzette is a Swedish DJ duo consisting of 23-year-old Alexander Björklund and 19-year old Sebastian Furrer.  They just wrapped up a 17-date September tour in the US and have received support from David Guetta, Tiësto, Swedish House Mafia, Avicii, and Martin Solveig to name a few.  The underground success for the duo began a year ago when Cazzette released their first track, a remix for Avicii entitled “Sweet Dreams (CAZZETTE meet AT NIGHT Mix), which charted at the Top20 on Beatport Top100 General Charts for months.  Soon after, their bootleg of Adele’s “Set Fire to the Rain” landed the number one spot on HYPE MACHINE Most Popular after being uploaded on their Soundcloud page.

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Monday
Oct292012

Why I Left Spotify and Why You Should Too

The conventional wisdom among music technology theorists is that the traditional model of listening to music has changed, that music fans listen to streaming services like Spotify instead of buying music. I haven’t seen data or research to support that argument yet, only industry buzz, but I imagine it’s true for a strong minority of music fans. And industry data may support the trend as well; however my own, admittedly anecdotal, experience doesn’t.

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Friday
Oct262012

Amplage 0.6: Spotify - Life in a shadow, a non sustainable practice

You might think this is quite a rash and bold statement but I can guarantee you within the next 5 minutes of reading I’ll have it well justified. We all know that independent musicians from day one should be working themselves like a business through production, promotion, sales and shows. All of which incur some set up fee or ongoing costs. These costs vary depending on the size of the project or how smartly the independent has measured their market and are willing to invest. Even though spotify keep hush hush the amount of royalties that are paid through spotify, some speculation and leaks show what they are really paying artists.

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Saturday
Oct062012

Free Music Streaming: Monetizing The Listening Experience 

People want free music. Artists want to make money from their art while supplying people with music, be it free or otherwise. Could Spotify, Rdio, and MOG be the answer? Does our use of services like Soundcloud, Bandcamp, and Reverbanation handicap the revenue potential of those services?

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Friday
Apr272012

Hey Developer Guy Read This Before You Build That App

So, I was reading an interview in Wired Magazine on Marc Andreessen, the creator of the first browser, this past weekend and he was asked about the future of the web. In the article titled ‘The Man Who Know’s What Next,’ Marc states “The application model of the future is the web application model. The apps will live on the web. Mobile apps on platforms like iOS and Android are a temporary step along the way toward the full mobile web.”

I interviewed Ari Stein of WahWah.FM a month or so ago and he told me “Who knows 5 to 10 years from now apps may not even exist.” This was a very interesting statement to me, because WahWah.FM is a mobile app which is currently available for iOS users only with plans to create an Android app once additional funding is secured. I pondered about making that statement the title of the post but I wanted to focus on their product because I think it’s great.

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Wednesday
Mar142012

What the Ek? Music Metaphors and Meaning

How do you place a measurable value on music? Thanks to a tweet from Hypebot I came across an interview with Spotify’s Daniel Ek on Grammy.com, posted in early February. Aiming to keep this post shorter than my last; I won’t dwell beyond this paragraph on how awkward it is for Grammy, the self-appointed standard bearer for artistic expression in music, to be asking anything of Ek. Shouldn’t it be the other way around? Representatives of music distribution services should interview Grammy insiders about trends in popular music - to gain insight into the creative forces behind music. Or not. Anyway, the interview was pretty typical Ek; Too focused on technology and consumption for my tastes. He is the future as he sees it. Best to read it for yourself though.

I’m trying not to be a Spotify hater. It has done a lot to innovate in the music space - especially on the consumption side. The social integration part is well-executed, though it too has its detractors. I have met some of Spotify’s developers, ran into them at an industry conference hosted by Amazon. They are nice folks, very enthusiastic about advances in local network caching and reduced edge-server latency. They are also particularly fond of that “bringing the pirates into the light” narrative. The story about how people do not need to torrent/file-share/steal music anymore, thanks to Spotify. It seems to come up a lot. It is probably in their welcome packet for new employees. Whether or not they are misguided is debatable, but they certainly aren’t all bad. Spotify is not the “Death Star”, back to destroy what’s left of the music industry. It also isn’t the industry’s savior, it is no Luke Skywalker, if you will.

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Monday
Feb202012

So Now Spotify is The Enemy?

We are in a day where the choice is yours. No one is obligated in using particular services or products. Believe it or not I own no Apple products. I was given a 4gb iPod shuffle as a gift one year. I lost it about a month or two later. I went out, bought an 8gb memory card, loaded up my blackberry with music and never looked back. Sure the commercials and other marketing campaigns for Apple looked and continues to be great, but at the end of the day I have a choice. I say this to say, I don’t understand why artists & music industry personnel continue to lash out at Spotify. As I tweeted earlier today, if a download is .99, how much do you expect to get from a stream? That’s not Spotify’s fault. They didn’t create streaming, they just created a great model to capitalize off it.

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Wednesday
Feb152012

Stormy Weather: Does Cloud Computing have a license to kill the music industry?

Piracy was what the (now dormant) SOPA bill was all about, and was never far from anyone’s lips at MIDEM this year. But bored of the same tired arguments against piratebay, bittorent sites and the infamous Megaupload, the industry has turned its attention to those who actually do stay on the right side of the law

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Friday
Feb102012

President Obama’s Spotify playlist (Unofficial Hip-Hop Version)

So as most of you heard Obama joined Spotify and he has a playlist.. Yawns..One of the most interesting things about the Playlist is it doesn’t contain one Hip-Hop song.
Interesting enough, I don’t Vote so who am I to talk? I wonder if Chris Hughes from Facebook is still running his internet campaign? This would probably explain the lack there of.
Politics is cool and we all know Barack isn’t on Spotify, but Mr. Prez how could you do this to us lol.. Am I suppose to believe that a man who eats fried chicken and plays basketball at the Oval office actually listens to REO Speedwagon and Dierks Bentley? Right…
Anyway, I decided to give you the playlist that Barack didn’t want us to hear..

Click to read more ...

Friday
Feb032012

Why People Buy or DON'T Buy Music

With much debate surrounding streaming services and file-sharing sites, I brainstormed reasons why people still buy music in 2012. Although scarcity is a factor, it was omitted because theoretically once music is digitized it is vulnerable to mass sharing. Also, although there are many opinions about the overall quality of music being unworthy of purchase these days, but I believe that goes without saying.

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Tuesday
Jan312012

The Sean Parker Effect

Sean Parker’s character, which was played by Justin Timberlake, is without a doubt my favorite character in the ‘The Social Network.’ Reading and watching his interviews you can tell that he has mastered the art of story telling and he must have read Dale Carnegie’s classic, How to Win Friends and Influence People. It is interesting to see how pivotal his role was in the initial stages of Facebook, and I wonder if Facebook would have been what it is today without his help.

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Monday
Jul252011

Spotify and the Social Broadcast License

Spotify could add an extra charge if users wanted to make their local files available to their friends via shared playlists. They could do so for an extra charge, to cover the added bandwidth costs and royalties.

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