This is part 1 of an article written from the perspective of a program director/MD focusing on the creation and submission of materials for college radio – as a radio promotion company, and independently – though many of these points can be extrapolated and applied to areas both inside and outside of the music industry.
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Entries in music business (45)
The biggest thing in common between these types of acts, aside from the volume of drugs consumed, is the level of mastery in connecting fans with fans. Let’s take a quick look at three different types of fan interaction:
Musicians like artists, graphic designers, film makers, or ony other type of freelancer as we all well know through YouTube and personal websites, work tirelessly on their online presence. This is now the forum where new artists get noticed, and frelance musicians and composers not only get work but also showcase talents and portfolios. For the archetype of the working musician as a jack of all trades, we all well know that gathering income from many sources is paramount to one’s financial and personal success. With all the work that one puts in to building up an online presence for the hope to get more gigs, more students, more downloads sold or whatever that may be, there is also secondary income sources that one can take advantage of from building traffic and a following, much like the savvy internet maketers strive for in their own commercial pursuits. Here are some approches in and out of the box.
ProTools is the new guitar.
We’re in the age of production. –
Almost everyone’s participating!
Live concerts, the recording process, the number of “production” educational programs, electronic music, and much more.
Computers are shaping the future, innovation, culture, art, and more much in the same way rock and roll once did. If you’re a part of the youth, you want…
If you’re an artist waiting to be “discovered” or hoping to be given a record deal based on your perceived talent or the “uniqueness” of your sound, it’s time to educate yourself on the basics of the music business. The belief that major labels are LOOKING to sign new artists because of their talent is very far from the truth, and the sooner a person who desires to be an entertainer learns this, the better.
This is part 2 of a 2 part article I wrote strictly based on my professional experience producing and engineering and managing artists. Since 2006, I’ve been involved as a key member in several music groups, labels, and production teams that despite all their potential to achieve greatness, fail and fall apart, often at critical moments.
Making money from your music.
All those hours spent working out tunes on the guitar, or those long nights in front of the computer finishing your hip-hop track. You obviously enjoy making music, but you would like to see some financial reward for your effort. We all know making money is hard work, but this article looks at songwriter royalties and some of the issues you need to be aware of.
If you are a songwriter and wish to earn money from your songs then you will most likely need to sign an agreement with a publisher.
Nothing is more fulfilling than opening your record label, getting your artist in the studio, laying down some tracks and mastering your final project. You’ve gotten investors involved who really believe in your project as much as you do and they’re putting a significant amount of money behind your company for both production and marketing. The only uncomfortable part about the whole process is that they have accountants, business managers and financial gurus working for them behind the scenes and they need you to put together a budget
At the beginning of June, it was announced that Big Machine Label Group struck a groundbreaking deal with Clear Channel that will provide payment of royalties to artists and record labels for terrestrial radio play. What does this mean for the music business? Let’s break this down:
I’ve been working in the music industry most of my life. I’ve been working as an entertainment life coach for about a year. The 2 questions that I get asked the most are…1) What is a life coach? Well, that’s easy. A life coach helps you reach your goals easier and faster than you would on your own. 2) What does an entertainment life coach do? Well, with that question, I find , it is easier to give you a scenerio…
Let’s sat you’ve been studying voice.(or another instrument, or dance etc. Singer/songwriter is just an example) You’ve been working your butt off. Maybe you have one of the best vocal coaches on the planet. You can sing anything. You especially sound amazing when you sing the songs that you’ve written. You work with experienced co-writers and spend time and money going to workshops to make sure your song is just right! You go to other interactive workshops given by some of the best on-stage coaches in the biz. They work with you on how to create a magical show, with your beautiful songs and your kick ass voice. You’re ready to go! But wait….
You know the saying: if you love what you do, you’ll never work a day in your life. It’s not 100% accurate (there will always be aspects of your job that you’ll hate… I’m looking at you, accounting), but I do think people need to follow their passions and make careers out of them.
I meet lots of people who tell me they want to work in the music industry. After all, music is something that’s easy to be passionate about, so why not make a career out of that? Makes sense.
I get lots of people asking me advice on how to get started. I was just speaking with someone last week who graduated with an MBA who wanted to work in the industry, and he asked me “Where do I start? Who’s hiring? What kind of jobs are out there?”
Hi guys. I’ve been a long term reader and contributor of Music Think Tank, and thought it’s about time I gave something more back to the community.
As some of you may know, I recently released my course ‘The IMA Music Business Academy’. It’s a course that aims to teach the independent musician the business side of the industry, giving them all the knowledge and practical skills they need to fast track their music career.
The course has received a lot of good feedback so far, and with the door now back open, I want give you the chance to get involved free of charge.
I’m giving away three prizes of a year’s long access to the IMA Music Business Academy (Each prize valued at $181). If you want to win this great prize, all you have to do is:
Here at Music Without Labels we do our best at providing you with some of the top independent music worldwide, which is why I’ve decide to show some love and promote the main industry that helps manage these artists’ insanely busy music schedules; Independent Record Labels! Now this list is in no particular order so their is no hierarchy of which label is better than the next. This is an independent community so it’s our job as indie people to promote quality independent music equally together. We will continue to promote the Independent Record Labels in this new series. Hope this comes as a great reference, and please stay tuned for more:
Every year I walk into the mall on a nice fall day and at some point it happens. I start noticing the red and green decorations and find myself humming “Chestnuts Roasting” (Yes, I know the real title is “Christmas Song”. I choose to not use it as I think that’s a cop out title!) Last year, they literally had Christmas music and decorations up the first week of October! Before Halloween?!?! Seriously guys! What’s up with that!?!?!