Summer touring season is fast approaching and many bands are finalizing those last minute details before the tour starts. Every year, bands report issues and problems that could have easily been avoided by simply talking to their manager before they ever set foot on the tour bus. Whether you’re a part of a top selling band or just starting out with an unknown group, there are some simple details that can make this tour the best one ever.
Entries in Live (15)
Festivals and concerts would be a great time for live music, but some people use them as an excuse to do drugs. In fact, we hear about drug deaths and drug overdoses every year at concert festivals. Along with the injuries and arrests, it can turn an awesome time at a concert into a sad experience. Because the law prohibits drug-friendly concerts, many organizers of these events enforce a zero-tolerance policy. You do have some who turn a blind eye, but they get shut down eventually.
Musicians are a scattered bunch. I know you agree with me. Don’t lie.
I think some of them just glide through life with this “things are bound to happen!” mentality. I mean, optimism is great and all but you know what’s better?
Actually being in control of what’s going to happen.
Do you know how you can get more control over your music career?
This article originally appeared on the Sonicbids Blog
Last week, we provided a breakdown of the most desirable qualities your booking agent should possess. This time around, we’ll be providing you with advice on how to find the right booking agent who will play a vital role in enhancing the quality of your live performance opportunities. Finding someone you can trust with such an important aspect of your career as a musician may seem like a tall task, but if you keep these four areas at the forefront of your overall strategy, you’ll put yourself in a great position to find the booking agent who’ll take your show value to the next level.
Festivals, intimate club shows and arena tours are the places to be to see your favorite band or entertainer. In fact, you might see several shows a month because music is your passion. When you frequent concerts, there’s a specific culture that you encounter. From mosh pit rules to bathroom etiquette, take a look at some of the best ways to enjoy every concert without hindering the experience for someone else.
Why The Live Show Experience Is So Important In Laying Down The Proper Foundation For The Independent Artist
Setting the proper foundation for your career in any business is very crucial in setting yourself up for success. When it comes to building your career as an independent artist building and setting the proper foundation is equally important. There are so many things that you should make sure is in order to make sure that this is properly executed.
(London, ENGLAND) – November 3, 2015 – Steve Nieve stormed into England for three nights of his latest endeavor, STEVE NIEVE PLAYS ELVIS COSTELLO, and sold out shows at The Liverpool Philharmonic, Bristol’s Colson Hall and the St James Theatre in London. In 2014, Nieve had toured this show briefly in the United States and is planning a return during the spring of 2016, represented in the United States by Newburyport, Massachusetts-based artist management company, Dog and Pony Industries.
The days of Woodstock, Lilith Fair, and Lollapalooza may be behind us, but that doesn’t mean that the current generation of concertgoer has to miss out on the festival experience. From the highs of enjoying the best in modern music, with tens of thousands of like-minded souls, to the lows of enduring those same people ahead of you in line for the Porta-Potty, anyone with a ticket can enjoy some amazing festival experiences.
Every musician has to start out booking their own gigs, but, as you’ve probably realized, this is a lot easier said than done. After all, there are so many musicians and bands competing for very limited performance spots. For promoters, it’s a game of risk management - they want to book bands they know will fill the room - so getting the spot as a new band can be very tricky. There are, however, some things you could be doing that can help you get those gigs!
What is a Promoter?
A promoter or venue owner is someone who buys talent. Depending on the size of the venue, they work independently or with booking agents to book bands and musicians to perform. For local clubs and venues, promoters and venue owners get a percentage of ticket sales and also make money from food and drink sales. As you can see, the business of promoters is really all about numbers - if they don’t fill the room, they don’t make money. This is where you come in. If you want to get the gig, you need to be able to prove that you can bring an audience, therefore lowering the risk for the promoter.
In today’s music industry, gigging is a huge revenue for a lot of indie musicians. Unfortunately, there’s also a lot of competition for the limited gigs available. Just standing out of the crowd of talented performers can be a challenge, especially when you’re trying to grow into cities and towns you’ve never played before.
If, however, you are dedicated and have a strategy in mind when looking for gigs, you’ll have a much better chance of getting noticed. I’ve broken it down into 5 basic tips that you can follow as you’re trying to book more gigs.
Collaboration is the first step to this equation. I’m sure you know how hard it is to get a spot in new venues, especially if you’re not yet at the point where you’re working with a booking agent. Venue owners and promoters just feel safer booking a band that they know can fill the room. If, however, you can connect with the bands the promoter knows, you might be able to get gigs you wouldn’t normally have access to.
I hear a lot of people complain that their band can’t really get anywhere because there’s not much of a scene where they live. However I don’t see a lot of people doing anything about it. If there’s going to be a scene, someone needs to have the vision and initiative to start it. So if you don’t have a booming scene where you live – start your own! Here’s how: The first thing that you need to do is to scout out at least one good venue. What you want to look for are venues that are:
I’m not a musician. I’m a fan. And from my perspective, it’s clear that fans do want to support artists that they like. Here’s a list of things that fans will pay for, even if they can get your music for free:
So you have a show and you want to promote it. Many artists take this pretty simply. They post on their website, announce it on Myspace, share it on Facebook, sometimes list it on Craigslist and then maybe send it to a local music magazine. There is this idea that people will just make the effort to find out about you. Now in some cases that can be true, but with each gig and show it is much more effective to pull those that already know you, reach out to those that might be some what familiar with you and connect with people that have never heard of you before.
As of today, you will find a new menu item in the Music Think Tank menu that is simply labeled 100.
The Indie Maximum Exposure 100 blog was created by a team of industry experts and by artists that are making a full-time living from their music.
The 100 is an essential read for all artists; it’s a clear and concise guide to 100 important things every artist should consider. Check out the Indie Maximum Exposure 100 on Music Think Tank. Here’s a category list:
The Entire List (100)
Fostering Relationships (13)
Making Money (12)
Mindset/ Who You Are Being (16)
Online Resources (Where to Submit) (20)
Recording and Releasing Material (8)
Social Media/ Internet Strategy (16)
Touring/ Live Performance (15)
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(Updated January 13, 2016)