One thing many people have a great passion for is music. However, you don’t have to limit music to your hobby. There are actually many very well paying jobs that allow a person to user their love of music to make a living. Having a music career doesn’t have to be a pipe dream. You can make it a reality. Below are six great examples of music careers.
Entries in Career (19)
There’s always been a notion that if we could emulate the lives of those we admire, then our lives would have the same outcomes as theirs – talented, successful, rich, famous, happy, whatever. That, of course, explains all the “Seven Secrets of…..” books and the popularity of biographies as treasure maps to our desired fortunes. Although the lives of successful music artists fall into that same category and there are certainly crafts and skills to be mastered, there are two areas that cannot be duplicated, which are, unfortunately, the two most important things required for success – artistry and luck. Which is why nothing compares to Prince. His was the perfect storm of skills, artistry and luck.
This article originally appeared on the Sonicbids Blog
You know the story: one fateful night at the local music hot spot, an up-and-coming local band is playing a show to a packed house. The place is going wild when suddenly, the crowd parts as a hot-shot record executive strolls in. The band plays their last song and starts packing when, out of nowhere, a sweaty, diamond-ring-encrusted hand is thrust into the face of the lead guitarist. It’s the hot-shot record executive, and he wants to offer the band a record deal. It could happen to you, right?
Don’t count on it!
You could call these New Year’s Resolutions if you wanted to, but then you’d stop doing them after two weeks, along with the diet and exercise resolutions already on the list. Think that through.
Assuming that you are really intent on doing something meaningful about your music career this year, you could implement these somewhat random and relatively straightforward but not necessarily simple tasks. OR you could just keep on doing things the way you’ve been doing them. But you need to stop and ask yourself at this juncture: How’s that working out?
People are so weird. Last week, I was at this amazing barbecue restaurant and the table next me to opens up their bags, pulls out some ribs, and asks the waiter: “Uh excuse me, can we get some plates? We brought our own food.” WHY WOULD YOU BRING YOUR OWN FOOD TO A RESTAURANT After I wondered how this …
While many people dream of becoming a musician, most people assume there are limited career options. However, there are actually many exciting jobs available to music degree graduates. Below introduces five rewarding careers available to those with a music degree.
A few weeks ago, I posted about The Most overrated Things in a Musician’s Career. Due to some requests, I’ve decided to write about the most underrated things that we often don’t think about or use to the fullest extent. Like my previous article, there are a number of things that depend some time or commitment. However, unlike the “overrated” list, these are all things that you can probably never have too much of.
Well, of course you do, but aim to have a boatload of material so you don’t have just your resume to show prospective employers. And then, during your first job, find time to do your own thing, by any means necessary, so that you don’t really need that resume after that. I landed the second job of my career with the film production house, Second Story Television without any resume at all. That was because I started that company with a few friends after gleaning enough experience and connections from working at a small film production company/ad agency based on the famed Madison Avenue in NYC. And jobs after SST were mostly pulled in from my network of friends. That’s the key and the underlying thought behind this bloggette: building your career, yourself, again, by any means necessary.
Over the last three years the career growth of one musician in particular has been extremely fun to watch. Los Angeles based songwriter, Drew Lawrence has balanced music, life, family, and bills to build a sustainable career in music over that span. A classically trained Pianist and graduate of Berklee College of Music, Drew has a career record that includes gigging around LA, a few west coast and US tours, teaching music lessons to families in Beverly Hills and a more recent focus in songwriting for heavy hitters like Christina Perri, Kelly Clarkson and a ton of up and comers.
So in part one of the Indie Artist Launch Plan we addressed what seem to be the two major problems as well as the importance of BUILDING a solid foundation.
The importance of creating the structure - built of the right habits, the right people, and the right attitude are the fundamental building blocks to the success of an Indie Artist Career today.
So the big day is fast approaching. You are leaving the ivory tower of college in a few weeks and are about to enter the work force. Most likely the only thought on your mind is how to get a job.
The ideal is to have a job locked up and waiting for you before you graduate, so you can enjoy your last month at college. This is what all your friends in other majors are doing. The computer scientists are getting flown across the country and eating lobster. The engineers are meeting with on campus recruiters. The management and business students have already found a good position at the bank where they interned.
The music industry does not work this way. Very few companies hire in advance. Music companies are not structured to wait several months for an entry-level candidate to graduate college. They hire when they need a body, not because there is an influx of new talent every spring, like some other industries. While this is frustrating, it actually creates a new opportunity.
Your goal as you enter the music industry should not be to find a job, but rather to develop a career. Getting your first job will be a byproduct of this process, but jobs are temporary and a career lasts a lifetime.
Think of your career development in four levels
The last half of 2011 was intense for a lot of us. The financial news across the world remained bleak, Occupy Wall Street was all over the news as the 99% spoke up to be heard.
The music business continued to take hits with Spotify’s arrival and news of more layoffs at record labels, management companies as we all scratched our heads to blog about positive things and good outcomes
Many of you may have seen this article (or another one) on setting goals as they crop up at this time of year.
It’s a new year and a clear slate is in front of all of us. The turning of the calendar from 2011 to 2012 is an ideal time to set your goals. I see a marked difference between artists who set finite goals and those who do not regardless of what is happening in the world and in the news.
Ask yourself: Is this the year I want to make a difference for my music career? And if so – what difference and how?
Think of goal setting as if you were driving in a foreign place – You wouldn’t get where you expect to go without a clear set of directions. Goal setting is like drawing a map for yourself.
This article is designed to assist you in creating a personal roadmap for achieving what you would like with your musical career this year, whether you consider music your hobby and you do it part time or you are making a living out of it full-time.
I have included a few links from some of the best musician related posts on how to think about and achieve goals as well. So, bookmark this long article and refer to it throughout the year!
Many people start thinking about their goals on New Year’s Day, many start thinking about this 3 months ahead and start gearing up for it and preparing to have it. This is the best time to start, it helps you think ahead, gives you more time to prepare and gives you extra time to think about strategy. 2012 is a few days away but of course it isnt too late to start thinking about what you want for the year!
As I made my way back from Los Angeles, I started to think how many talented young artists out there have made the wrong decision when it came to their personal manager? How many of them had an attorney present when signing their management deals? How many of them involved a sunset clause? How did the contract say the manager was paid? Gross revenue stream or would the manager be dipping into “restricted areas”?
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(Updated January 13, 2016)